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Word: modernize (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...neon sign in sight. (A Leyland Mini rents for about $100 a week, unlimited mileage, and sips petrol as if it were rare brandy.) Coventry has risen nobly from the ashes of its 1940 bombing. Next to the surviving western spire of the late medieval cathedral stands the great modern cathedral with vertical thrusts of rose-colored stone and Graham Sutherland's striking altar tapestry...

Author: /time Magazine | Title: Special Report: Europe: Off the Beaten Track | 4/30/1979 | See Source »

Helium Mime Show--Modern Theater, 523 Washington...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: April 26- May 2 | 4/26/1979 | See Source »

There's no reason for anyone to be jealous. The quality of the singers on the Met tour this year is at least as high as in the New York house--even higher, some might argue. Because of the peculiar financial needs of the modern international opera house, tour audiences like Boston's can now see a concentration of talent in one week that New York audiences have to wait months...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

Both Dexter and Levine have performed erratically. Dexter's record with modern opera is extraordinary--his Dialogues of the Carmelites and Billy Budd exemplify how best to present modern operas with narrow appeal. But his productions of standards from the nineteenth century repertory, like his curious Rigoletto, have infuriated audiences. Levine's conducting has gained undeserved acclaim in the press. It's forceful, direct, and intractably unsubtle; Levine takes scores and homogenizes them. Furthermore, at a callow 35 he is attempting to conduct everything in the repertory from Mozart to Berg and Weill...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

...audience. Each year it revives Aida with mediocre singers. Undoubtedly the management calculates that these are operas which will fill seats no matter how meager the cast, and so far box office figures bear them out. Thus the present situation: except for new productions, only operas which are modern; unpopular, or obscure generally receive the casts they deserve...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

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