Word: modernizing
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Dates: during 2000-2009
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...that all his pictures are blockbusters. Since The Perfect Storm in 2000, only his Ocean's (Eleven, Twelve, Thirteen) capers have topped $100 million at the domestic box office. But at 48, Clooney--handsome and affable, with a wit that can deftly cut as it charms--is surely the modern idea and ideal of stardom. Whereas other celebrities seem tortured by the public attention their work earns them, he positively bathes in it. Remember what Mel Brooks as Louis XVI proclaimed in History of the World, Part I? "It's good to be the King." Clooney must think...
...among the toiling masses the Bauhauslers hoped to speak to. And nobody believes anymore that good design can produce a more virtuous world. But all those steadfast geometric tea sets and tubular steel furnishings drew lines in the collective consciousness. They're still basic to our picture of the modern home--even if we don't happen to live...
...monolithic institution we meet in "Bauhaus 1919-1933: Workshops for Modernity," a new show at the Museum of Modern Art (MOMA) in New York City, which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed...
...turning point came in 1923, when Gropius dismissed Itten and replaced him with the resolutely modern Hungarian Constructivist László Moholy-Nagy. In the same year, the school mounted an exhibition with the no-nonsense title "Art and Technology--A New Unity." The painter Oskar Schlemmer announced the back-on-track Bauhaus ethic in a polemic that was only partly tongue in cheek: "Death to the past, to moonlight, and to the soul...
...taut planes that looked like an X-ray of a chair. Even then, while factory production may have been the aspiration for many pieces, old-fashioned handcraft may still have been the method behind them. The interlocking grids of Albers' glasswork Goldrosa give it a rectitude that says "modern," but the complicated technique used to produce it was practically medieval...