Word: modernly
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Dates: during 1930-1939
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...Normandy." Meanwhile the Government stayed at the tiny Danube Hotel, worked last week from 7 a. m. right around the clock to 3 a. m., employed Poet Jan Lehon as its Press Officer. In London arrived Mme Josef Pilsudski, widow of the late great Marshal, "the Father of Modern Poland" whom Adolf Hitler professes to respect. Snapped the Widow Pilsudski last week: "No one believes Hitler's speeches of good will. That man pays lip homage to my husband and surveys around him the destruction of the Marshal's life work. . . . Poland fought to the last...
Adolf Hitler's generals know what they are about. They have studied their Erich Ludendorff and their Giulio Douhet (an Italian theoretician who says that modern war must be fought with mass air attacks). They knew that their advance into Poland would be a pushover. Nevertheless their tactic was a Ludendorff infiltration, modified to suit a mechanized army. Long steel fingers reached into Poland's flesh, then clamped together and squeezed the blood out. This they did with speed which was only less amazing than their efficiency...
...music: bring masterpieces to millions who could not otherwise enjoy them. Last week, with a rush of appropriate sentiments, the first U. S. art telecast took place in Manhattan. Haled before an NBC "ike" was Artist Charles Sheeler, whose retrospective show had just opened at the Museum of Modern Art. Said he: "It may even be that television has brought us to the threshold of another Renaissance in the visual arts." Spectators were more skeptical, thought the flickering, televised images of Artist Sheeler's paintings looked like magic lantern slides. But all agreed the incident was historic...
...black and white reproductions-and television cannot yet transmit color-Charles Sheeler's dryly accurate paintings can scarcely be told from his camera studies of similar scenes. Visitors to the Museum of Modern Art's show could more readily distinguish between his canvases and photographs, see also his drawings and industrial designs. Stoop-shouldered, scholarly Artist Sheeler, 56, likes to paint barns, skyscrapers, old furniture, factories. All these meet the Sheeler fondness for functionalism. Ignored in his paintings are men and women-inefficient machines capable of measuring the stars...
...Modern readers gauge Thoreau's genius by the qualities his contemporaries disliked. His eccentricities, prickliness, perversities, were in fact the Yankee thorns that protected him against the embrace of the Transcendentalists, the fashionable gentilities of the Lowells and Longfellows, the transient Utopianisms of the Alcotts, the dated rhetoric of his contemporaries. What moderns can see, what his contemporaries missed, is that Thoreau meant what he said. He was, he declared, a "Realometer," working his feet "downward through the mud and slush of opinion, and prejudice and tradition, and delusion, and appearance ... to a hard bottom...