Word: modernness
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Dates: during 1960-1969
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Other courses among the top ten in enrollment this year include Soc Sci 134, taught by John Kenneth Galbraith, Paul M. Warburg Professor of Economics, English 164 ("Modern British Fiction"), Nat Sci 110, Nat Sci 5, and Music...
...handful of classic Shakespearean films; it ranks lower than the Olivier Henry V, but only because of the substance, not the direction. With a charged, witty camera, Zeffirelli has managed to make the play alive and wholly contemporary without having had to transfer the action to a modern setting. Romeo and Juliet appear afresh as two incredibly articulate but believably, agonized teen-agers whose turf happens to be Quattrocento Verona. Too young to buck the Establishment-the Italian city-state with its machinery of epic feuds and rituals-they are finally undone by their passions. Death enlarges them when they...
...rest, Saville has done well enough by Sophocles. The English version by Poet-Translator Paul Roche is both dignified enough for the classic matter and nimble enough for the modern manner, in which the actors and chorus are deployed all over the amphitheater, not just in front of the royal palace. Orson Welles is appropriately resonant as the blind Tiresias-though he appears so massive that it is hard to imagine his having been turned into a woman, as the legend has it. Lilli Palmer's Jocasta manages to be at once regal, sexy and maternal in this famous...
...George Eliot died in 1880. Critics still regard her as a monumental pioneer in literary technique-the unhappy ending, for example, and the creation of women characters who, if they are never shown in bed, are at least composed of flesh and blood. What stands between George Eliot and modern readers, however, is not merely her habit of intrusive and lengthy moralizing but the play of sentiment, which embarrasses perhaps for the very reason that it is so sincere. Richly mixed in, for those who wait to find it, are psychological insights that are penetrating and wittily precise...
Packwood is everything that Morse isn't: he's predictable, pragmatic, somewhat superficial, and in supreme contrast to Morse, bland. As Morse reflects the past, Packwood symbolizes Modern Oregon--the freeways along the Columbia, the Manhattan-like skyscrapers of down-town Portland. Packwood is a progressive Republican, somewhat along the lines of Illinois' Senator Percy. He descends from Oregon's blue-blood establishment, and offers Oregonians a staid, mildly progressive alternative to Morse's turbulent Senate career...