Word: moderns
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Dates: during 1960-1969
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...Modern composers-inspired by the development of stereophonic tape and amplifiers-have rediscovered the possibilities of space in music, and they have made it a component of their works, much in the way that Renaissance musicians placed brass choirs in several corners of a cathedral, so that their sounds could meet, mingle and clash. With the following avant-garde works, listening to the music at home on stereo speakers or headphones is probably a better way to comprehend the composer's design than hearing it in a concert hall...
...Modern times have placed new emphasis on the P.O.W. In wars gone by, a man taken prisoner was considered to be out of the war. Often enough, he was killed on the spot; if he lived, he was often mistreated. As far as his superiors were concerned, he had proved himself on the field; they were happy if he did not defect to the enemy. But in this century of total war, the prison camp has become an extension of the battlefield. Totalitarian nations are not content merely to extract information from a P.O.W. They often hound and harass...
...TYPICAL of Mumford that he should have been most ahead of his time in urban affairs--an area where his thinking seems most at odds with the trends of modern scholarship. At a time when social scientists were carving up the urban field into fiefdoms--sociology, education, economics, politics--Mumford insisted on considering all the approaches together, and pioneered the study of man's "total" urban environment. Mumford became interested in the cities because he thought they were being ruined by a dangerous trend in human affairs: he uncontrolled spread of technology. In the Culture of the Cities, he cautioned...
...with a revolutionary surrealism, and contemporary songwriters and poets are apparently enriching one another's work. Many folk-rock lyrics stand up as poems, and some poets-Michael Benedikt and Canada's Leonard Cohen among them-are devoting part of their energy to writing songs. Meanwhile, a modern music has entered into and enlivened the poem, giving Faulkner's demon-driven creatures new voices for their poetic torments...
...that I have no doctrinaire view of history which guarantees my success or anyone else's, and neither did Marx, nor Lenin, or Mao. If we fail, we fail, and who is to say that our tragedy will be more debasing than the force of most modern liberal politics and culture...