Word: moderns
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Dates: during 1990-1999
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...teenage-runaway shelter, says he still loves his brother. He has written him repeatedly, offering at least one apology, but Ted has not answered. In order to gain forgiveness, Ted writes, David must renounce the "lies" he has told about Ted, leave his wife and remove himself from modern society. "If he does not redeem himself," Ted adds, "then as far as I am concerned he is the lowest sort of scum, and the sooner he dies, the better...
David's feelings for Ted, in fact, bordered on worship. He was particularly smitten by Ted's belief that modern man was being corrupted by society in general and technology in particular. "Knowing him as I do," Ted writes, "I am certain that if Dave had known of the Unabomber before 1989"--the year David moved in with Linda Patrik--"he would have regarded him as a hero...
...Western areas). It eschews Ken Burnsian still lifes for a tarantella of computer animation, film clips, re-enactments and folk performances, whirling impatiently like the dervishes and dancers it uses to maximum effect. This mix can shock us into seeing the present in the past, as when Isaacs crosscuts modern Italian hipsters and preening Renaissance Florentines. The conventional re-enactments, however, are like a forced march to colonial Williamsburg...
...even within a modern First Amendment framework, it still seems public funding could be withheld from any activity whose only purpose is the desecration, rather than the well-intentioned artistic presentation, of an alternative world view. After all, when government funds all manner of artistic visions equally and then steps back as they compete in the marketplace of ideas, it is merit that determines whatever establishment of truth ensues...
...their grey flannel suits for a life of chaos. Other yuppie violence movies have stirred the male psyche recently - American Psycho and American Beauty just to name two. These movies all explore the deeper male mind, swimmingly (or perhaps frighteningly?) portraying academic vision of the subliminal self of the modern male. This string of sympathy for a group of people rarely sympathized with is only the beginning; nipping on the heels of Susan Faludi's much acclaimed study of the betrayal of the American man, these movies divulge further and further behind the cursory Bruce Willis-ized front that American...