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...legislation proposes billions to repair and protect the largest estuary on the West Coast. The twin goals of the legislation are a massive restoration of the Delta's ecosystem, a project akin to saving the Everglades in Florida, and a new modern conveyance system to move water through the Delta and around the state with conservation and efficiency. It is an intricate one as well because the giant pumps that speed water to state and federal aqueducts have played a part in bringing the Delta to the verge of ecological collapse in the first place...

Author: /time Magazine | Title: California's Plan to Keep the Water Running | 11/7/2009 | See Source »

...though these melodies may be sweet, Leslie isn’t a vocalist. He hits the notes, yes, and even slips into falsetto on occasion, but with his lack of variation in volume and tone, he can’t compare to modern R&B greats like Usher and John Legend. In “Never Gonna Break Up,” the first track, Leslie makes evident these weaknesses. The chorus is sung nearly an octave higher than the verses, in a breathy falsetto, but his voice is merely pleasant and its intensity remains stagnant. “Never...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...existence is easy to forget, but whose presence is impossible to ignore—the song feels like a slow drive down a pitch-black southern road in the heart of autumn. It’s hauntingly beautiful and the traditional sounds it employs are not often heard in modern music...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...strength of the vocalists both on their individual verses and the tightly coiled haunt of their lush harmonies. Easily the most stirring on the album, “Almost Let You In” maintains the melancholic, genuine feel of the entire record while adding more complex and modern elements that serve as a welcome respite from the duller aspects that are pervasive throughout the album...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

Such self-consciousness is the mark of much modern writing as well—quite notably, that of Paul Auster. Auster is a master of metafiction, writing about stories and within stories, writing about writers and the act of writing. From his initial success with 1987’s “New York Trilogy” to more recent novels like 2004’s “Oracle Night” and now with “Invisible,” Auster continues to surround his novels’ protagonists in layers of text...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

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