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...judging this one by their fictionally enhanced standards. Dengler becomes, in this incarnation, an almost merry soul, dauntlessly rallying his bedraggled troops (there are only six men in this camp). We're obviously not talking Stalag 17 or The Great Escape here, but stray thoughts of movies in that mode inevitably tug at our minds and somewhat vitiate the power of this...

Author: /time Magazine | Title: Fact to Fiction for Rescue Dawn | 7/3/2007 | See Source »

...bother to look at the manual. Translucent, jewel-like, artfully phrased dialogue boxes come and go on cue. Window borders bounce and flex just slightly to cue the user where and how you're supposed to drop and drag and scroll them. When you switch the phone to "airplane mode" (no electronic transmissions, for use on planes) a tasteful little orange airplane slides into the menu bar, then zooms away when you switch out again. (This was so pleasurable that I repeatedly entered airplane mode while using the iPhone, even though I wasn't actually on an airplane.) As soon...

Author: /time Magazine | Title: "I Take the iPhone Home" | 6/30/2007 | See Source »

...violence takes place mostly online, without much or any contact or direction from established extremist organizations known to police. The insulated, surreptitious environment that evolution takes place in makes the so-called "home-grown jihadist" almost impossible for authorities to identify as a threat when they go into plot mode. Because this European intelligence official says he knows British counterparts "weren't anticipating or suspecting any impending terrorist activity, and were taken completely by surprise by this", he and other experts expect the foiled attack will be uncovered as the work of self-styled, home-grown extremists...

Author: /time Magazine | Title: Britain's Burst of Terror | 6/30/2007 | See Source »

...hath wrought (consider my hand raised) have to admit Clarkson has a strapping, swooping voice. But it lacks a defined personality, reflected in the bloated industrial-Pat Benatar knockoffs ("Haunted," "Don't Waste My Time," the single "Never Again") that dominate the album. When they aren't in that mode, Clarkson and her new, hardly avant-garde producer David Kahne (Bangles, Sugar Ray) dabble with proven formulae: They know a solemn ballad must start with a lone strummed guitar ("Sober") and that a horn section and a throaty delivery can lend a bit of earthy Christina Aguilera cred ("Yeah...

Author: /time Magazine | Title: Kelly Clarkson's Solo Misstep | 6/26/2007 | See Source »

...slipping into a zillion roles (as he did on Saturday Night Live). He found a persona the audience likes--the lanky, ungainly goof who thinks he's a supreme jock--and he mostly sticks with it. He knows the mass audience wants its stars only in their familiar mode. When they try going upmarket--Ferrell in Stranger Than Fiction, Sandler in Spanglish--the fan base deserts them...

Author: /time Magazine | Title: Comedians' Little Secret | 6/14/2007 | See Source »

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