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...movie I would work on was a Disney film starring Richard Dreyfus and a six-foot-tall, beautiful blond, who both spent a good portion of the movie in black face and tribal garb. It had a shaky story line, a $30 million budget--modest as major studio productions go--and was filming initially in a warehouse in a deserted industrial area of Los Angeles. One of the priorities of a production assistant such as myself was to keep the set clear of interlopers and silent while filming. This included asking a variety of passers-by to reroute and walk...

Author: By Sarah Jacoby, | Title: There's No Place Like Home | 8/1/1997 | See Source »

...have been tankers, pilots and ship drivers--and were eager to embrace whatever new weapon came along--Shelton, as commander of the famed 82nd Airborne in 1993, raised eyebrows by scrapping the division's fleet of high-powered AH-64 Apache helicopter gunships in favor of more reliable but modest OH-58 Kiowas. Shelton's career went into high gear in Haiti in 1994, when he cut short the U.S. invasion, turned back the bombers and transformed himself from warrior to a diplomat, ousting Raoul Cedras and keeping U.S. casualties low. Shelton also enjoys jangling bureaucrats. In 1996, when...

Author: /time Magazine | Title: COHEN GETS ONE RIGHT | 7/28/1997 | See Source »

Unemployment: Under 5% this year Growth: Modest but steady; 2% average this decade Inflation: What inflation...

Author: /time Magazine | Title: THE BEST OF TIMES? | 7/28/1997 | See Source »

...byways of the plane, armed mainly with native wit and a "Don't tread on me" philosophy. There is good--sometimes witty--suspense in Marshall's single-handed efforts to coordinate a rescue effort by his Washington staff with his own attempts to set his people free using whatever modest tools--a table knife, a cell phone, a fax machine--come to hand...

Author: /time Magazine | Title: CINEMA: THE ULTIMATE HIJACK | 7/28/1997 | See Source »

...because they are ridiculous. Like they're cool because they're so awful. I don't think so. We do not love exploitation films because we want to relive a past decade of innocence. Exploitation filmmakers have proved that creative, classic and socially relevant films can be made on modest budgets. These movies hit close to home. We are in our houses, and there are nymphomaniac cannibalistic freaks waiting to feast. This is real! This is myth! BROOK KING Pittsburgh...

Author: /time Magazine | Title: Letters: Jul. 28, 1997 | 7/28/1997 | See Source »

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