Word: modiglianiã
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...Modigliani??s powerful interpretation of Ba’al is instrumental in realizing Broadwater’s production. Modigliani inhabits the role in robust, full-bodied fashion, and the audience shudders with his every writhe and demonic grin. In sometimes taunting the audience, then desperately calling out for help, he forces them to see themselves as implicated, even if unwillingly, in his plight...
...despite additional noteworthy performances by cast members Sandvoss, Brooke M. Lampley ’02 and Erin Pearson ’04, the acting is uneven overall. The intensity of Modigliani??s execution and the emotions he provokes are not matched by additional subtlety and conviction from his fellow performers. Instead, some of the supporting actors deliver their lines flatly, failing to develop their characters to the degree dictated by the production’s professionalism...
Whoever the Sandrine’s guitarist was that night, apologies from FM. Douthat’s song and Modigliani??s impression were both louder than all hell. When Sarah Darling stepped up to present, she started by saying, “I don’t have that much to talk about,” so she broke out her viola. The guitarist should have just packed it up and gone home as soon as she drew her bow. The group exhorted her to ask the guitarist to stop, and he wisely complied. Sarah played variations...
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