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...indeed interesting. Although you mention Rivera, Picasso and Gris, you omit friendship with Fellow Artist Modigliani. GERARD ZIERLER...

Author: /time Magazine | Title: Letters, Oct. 13, 1958 | 10/13/1958 | See Source »

After repeating this procedure with Holbein's King Henry VIII, Cranach's Lucretia and a Modigliani portrait, Trevor-Roper went on to examine other artists affected by eye diseases. Cézanne's myopia may be the reason, he said, for Cézanne's blur. Monet suffered from cataract, which caused his greens to become more yellow, his blues more purple. Constable may not have realized how brown his trees appeared to normal vision because he was colorblind. "A fuzziness or what art historians would call "breadth,' " he went on, is the weakness...

Author: /time Magazine | Title: Art: Through Uncorrected Eyes | 3/3/1958 | See Source »

...Modigliani's Portrait of Kisling stands out as one of the most painterly works in this painter's exhibition, combining an almost archaic formal dignity with intensely human warmth...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

...Biff! Bang! Wallop!" In search of a hero for his sensational novel of the 19205, Montparnos, which established the claim of Montparnasse as a rip-roaring Bohemia to rival the prewar Montmartre, M.G.M. uncovered such unknowns as Amedeo Modigliani and Utrillo, recounts how on their first meeting the two great painters exchanged coats as a token of mutual admiration. Then one said: "You are the world's greatest painter...

Author: /time Magazine | Title: Art: The Man Who Knew All | 6/17/1957 | See Source »

...Pulitzer, who began collecting as a Harvard undergraduate when he acquired Modigliani's Elvira Resting at a Table, is entitled, after twenty years, to some mistakes. Villon's portrait of the collector and Tamayo's study of Mrs. Pulitzer, tressingly poor examples of the work of gifted commissioned rather than chosen, are both discollector and Tamayo's study of Mrs. Pulitzer, tressingly poor examples of the work of gifted commissioned rather than chosen, are both dispainters. Andre Beaudin's The Steeplechase, almost commercial in its obvious mannerisms, seems enigmatically out of place...

Author: By Paul W. Schwartz, | Title: The Pulitzer Collection | 5/25/1957 | See Source »

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