Word: modiglianis
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Dates: during 1960-1969
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...lighting, by Bob Harlow and Sergio Modigliani (they are responsible, I suppose, both for the spots and the splendid slides) exhibits much the same winning qualities as does the dancing. The colors are lush, the patterns interesting, but success again depends on a very well-marked sense of timing and rhythm...
Alex Inkeles, professor of Sociology, organized the course. Seymour M. Lipset, professor of Government and Social Relations, David H. P. Maybury-Lewis, associate professor of Anthropology, and Andre Modigliani, assistant professor of Social Psychology, will join him in leading the seminar...
Another body of his work exhibits concern with black dignity and traditional beauty. Here his colors are more restrained, his lines more elegant and refined. The paintings "Black Family," "And Still the Champ" [Muhammad Ali], and "Nude in Black" even suggest Modigliani. And several of his sculptures in the show are exquisitely crafted, such as "Black and Beautiful" and the delicately slim "Lovely...
...Lowell dining hall is strewn with the bones of sets that didn't make it, but designers Sergio Modigliani and Bob Harlow have constructed a fine, massive edifice that is one of the show's best points...
There they were, scattered through the 15-room mansion of Texas Oil Millionaire Algur Hurtle Meadows, elegantly framed paintings by nearly every leading painter of Paris. You name them, Meadows had them-Picasso, Matisse, Dufy, Derain, Modigliani, Bonnard, Degas, and on and on. For insurance purposes, they had been appraised by New York Art Expert Carroll Hogan at $1,362,750. On the market, works by such artists might fetch $3,000,000. But, confided Oilman Meadows to his admiring guests, they had cost him "closer to $400,000 than a million," and maybe as little...