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...laughs that can be found in All You Need Is Cash are visual. Idle and Weis have reshot sequences from Richard Lester's mod Beatles films (now called A Hard Day's Rut and Ouch!) to poke wicked fun at their most faddish excesses; similar pranks have been pulled on the psychedelic animation of Yellow Submarine. Unfortunately, the show's creators have not lavished nearly so much care on their casting. The four Rutles (Idle, Innes, John Halsey, Rikki Fataar) are virtually indistinguishable, and their performances are morbidly charmless...

Author: /time Magazine | Title: Television: Help! | 3/27/1978 | See Source »

Declining performance. After more than a decade of vaunted "innovations" ? free-form "open classroom" programs, flexible mod ular scheduling, enough electronic gadgetry to make some schoolrooms look like Mis sion

Author: /time Magazine | Title: High Schools Under Fire | 11/14/1977 | See Source »

Simonson, 52, a plain-spoken jurist with some mod ideas in other areas of law, became the feminist equivalent of Anita Bryant last May. That was when he announced that "whether women like it or not, they are sex objects" as he set free on a probated sentence a 15-year-old youth who had raped a 16-year-old coed in a high school stairwell. Simonson explained the soft sentence as a message to women to "stop teasing." It was time, he added, for "a restoration of modesty in dress and elimination from the community of sexual-gratification businesses...

Author: /time Magazine | Title: The Nation: There Goes the Judge | 9/19/1977 | See Source »

Rochefort brings some freshness even to obligatory scenes like the one in which he must face his officemates decked out in a plum-colored suit, mod haircut and hip new manner. Nodding his head to an imaginary cool beat, he has the odd, rueful grace of a stork with something caught in its throat, and we can almost believe, that a young girl's heart would indeed...

Author: /time Magazine | Title: Cinema: Flaky Farce | 7/18/1977 | See Source »

...hard at work on the center. There was Keith darting from Hammond organ to Moog synthesizer, and Greg picking away at his bass-guitar. Between them sat Carl, confined along with his drums, snares, gongs and tubular bells in a percussion cockpit that resembled nothing so much as a mod four-poster converted into a padded cell for the phantom of the opera. The music built relentlessly, awesomely powered by 72,000 watts worth of amplification -enough to start a medium-sized radio station. The volume never reached the threshold of pain (130 decibels), but it was, in Salmon...

Author: /time Magazine | Title: Music: ELP: 72,000 Watts in the Name | 6/13/1977 | See Source »

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