Word: modularity
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...paint goes on thickly but not with abandon. The surface seems to store light, like stone. It is opaque; you can't see through it or even into it. It is not about space. Besides, the inlaid, modular, even puzzle-like surfaces of Scully's recent canvases prevent the eye from roaming them too freely. Stray out of one box and you finish in another, not on a free horizon. Hence the density, the lack of spaces between things, which adds to the gravity of Scully's work. It has something to do with the largeness of architecture...
...never be 100% safe against a meltdown. At its Idaho plant, the Energy Department wants to try a different strategy. Rather than construct a giant atomic pile that requires the cooling of large quantities of concentrated fuel, designers propose to build a series of four small-scale, modular reactors that use fuel in such small quantities that their cores could not achieve meltdown temperatures under any circumstances. The fuel would be packed inside tiny heat-resistant ceramic spheres and cooled by inert helium gas. Then the whole apparatus would be buried belowground. Lawrence Lidsky, an M.I.T. professor of nuclear engineering...
...best part of this play is the set, designed by Bill Clarke. Its stark cubelike structure, with a sloping floor forming a receding perspective, is complemented by a modern modular design. It could be a television set but it also has elements of a Japanese shadow box or a puppet...
...Center and the fresco painter of the Paris Opera, the stained-glass artist who flooded interiors from the U.N. headquarters in New York City to Reims Cathedral in France to the Hadassah-Hebrew University Medical Center in Jerusalem with the soothing light of benign sentiment. His quasi-religious imagery, modular and diffuse at the same time, would serve (with adjustments: drop the flying cow, put in a menorah) to commemorate nearly anything, from the Holocaust to the self-celebration of a bank. When he died last week at the age of 97 at his home near Nice, Chagall's career...
...with such a tangle of ducts, pipes, risers and shafts that it became the first steel-and-glass building to exclude almost all natural light from its cavernous interior. Since Beaubourg was meant to be (in the jargon of the day) a culturally transparent, non-elitist, participatory, anti-hierarchical, modular omnisensorium, it had no walls to speak of: walls were for palaces and prisons. Instead it had temporary screens, on which its Matisses and Miros hung transfixed like rabbits in the glare of spotlights. Entropy set in the moment it opened...