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...many respects, the quality of the production is extraordinarily high. The parties responsible have made a number of bold choices, and most of them have paid off. Notable in this regard are Paul Fry's simple modular settings, which combine function with a sort of determined elegance rare to house stages. Equally significant is Mr. Bloch's decision to emphasize the inherent humor of line and situation, and to use a liberal hand in devising comic business. Although occasionally subtle antics which animate the human background throughout the evening distract from more important actions, the general effect...

Author: By Peter Jaszi, | Title: Schweyk in the Second World War | 12/6/1968 | See Source »

...rents because of high operating costs, spiraling land prices, local realty taxes and interest charges. Still, that is a goal worth reaching. The biggest problem is getting well-known new methods used. Despite their cooperative attitude in Chicago, labor unions are widely expected to balk when today's modular programs grow larger. And some black militants already complain that instant houses are mere "crackerboxes...

Author: /time Magazine | Title: Housing: Low Costs Through Instant Building | 11/15/1968 | See Source »

...main problem was to combine glass, which frames views of the Kreeger's 5½-acre lot, with hanging room for their art. To solve their problem, Johnson chose a style that he terms "Mediterranean modern," designed the house as a series of modular galleries topped with lifted cross-vaults. These give it a vague resemblance to Istanbul's domed Hagia Sophia, which has led some Washington wags to dub it "Bauhaus Byzantine...

Author: /time Magazine | Title: Collectors: It Takes a Lot of Space To Make a Museum a Home | 9/13/1968 | See Source »

When S.O.M. won out over nine other firms in its bid to design the $152.5 million Air Force Academy, it decided to use the same modular glass curtain walls. But not without a fight. When a high-ranking Air Force officer suggested that the architects might better use sandstone, Owings was ready with an answer. "General," he said, "would you build an airplane out of sandstone? Well, I don't think we will build the academy out of it either...

Author: /time Magazine | Title: Modern Living: To Cherish Rather than Destroy | 8/2/1968 | See Source »

Machine-Made Vision. The sculptor mining the modular vein who has attracted the most attention this season is Donald Judd, 39, known among minimal fans as the most severe and uncompromising of the "dumb box boys." For Judd, a box is a box is a box, and nothing more; free associations are forbidden. Judd's monumental boxes and series of boxes currently cram the warehouse-sized third floor of Manhattan's Whitney Museum in a one-man show dubbed "a chilling triumph" by partisans, and "pedestals in search of a nude" by less admiring observers...

Author: /time Magazine | Title: Exhibitions: Mathman's Delight | 3/22/1968 | See Source »

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