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...concert or to comment on short comings, but the violin playing of Mr. Kendrie in the Grieg Sonata, the singing of Messrs. Hanscom and Hancock, Mr. Moeldmer's interpretation of the Chopin G flat study, and the polished ensemble of the cerensky pieces played by Messrs. Davison and Moeldner, demand especial recognition...

Author: By E. B. Hill ., | Title: MUSICAL CLUB CONCERT | 12/19/1911 | See Source »

...Moeldner played the movement from the Schumann concerto with fluent and well-founded technique, an excellent interpretive style, although he tended at times to undue self-restraint. The orchestra accompanied alike with freedom and self-control in a manner that reflected highly upon its skill as well as that of its conductor...

Author: NO WRITER ATTRIBUTED | Title: Criticism of Pierian Concert | 4/8/1911 | See Source »

...conception of the conductor was one of thorough insight, and the playing of the men most creditable for its union of enthusiastic spirit with much genuine artistic finish and restraint. To vary the program, three pianoforte solos, beautiful and well-known pieces of Chopin, were performed by Mr. Moeldner '13, a pupil of Madame Hopekirk. Although in the first piece the left hand portion was a bit heavy, the Nocturne was played with real poetic feeling, and throughout Mr. Moeldner preserved a singing tone, showed an easy command of the keyboard, and, in the difficult Polonaise, unusual brayura. Following...

Author: By W. R. Spalding ., | Title: Pierian Review by Prof. Spalding | 4/14/1910 | See Source »

...Moeldner, A. L., Ridgely...

Author: NO WRITER ATTRIBUTED | Title: DIREOTORY OF FRESHMEN | 10/4/1909 | See Source »

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