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INVENTORS have a way of getting bored with their creations, and would-be magazine mogul Jann Wenner has proven to be yet another restless mind too impatient to busy himself with perfecting what he gave birth to. As his personal plaything Rolling Stone magazine approached its tenth birthday, Wenner evidently decided that major changes were in order. First came the announcement earlier this year that the magazine would move its main offices from San Francisco-America's rock & roll center at the time of Rolling Stone's founding a decade ago-to-the center of media glamour and respectability, Manhattan...

Author: By Joe Contreras, | Title: Moss Gathering | 12/15/1977 | See Source »

...present instance, he and Co-Writer Mardik Martin show no more interest in exploring the real film star than did the early moguls. As usual, Russell hammers one over the head with gaudy and excessive cliches of a bygone era's decor. They have a certain visual excitement, but they say more about his own feverish temperament than about the spirit of the age. The use of Rudolf Nureyev for Rudolph Valentino was canny in conception-both men display an animal magnetism that audiences have found irresistible. But Rudy I had a very different appeal from Rudy...

Author: /time Magazine | Title: Cinema: Rudy II as Rudy I in a Gaudy Bust | 10/17/1977 | See Source »

...being shot on location near Pittsburgh. That must be it: De Niro does not look like De Niro. But then neither did the flat-out dumb baseball catcher in Bang the Drum Slowly, the moody aristocrat in 1900, the murderous psychopath in Taxi Driver, the elegantly upholstered movie mogul in The Last Tycoon, or the jazzed-up saxophone player in the newly released New York, New York. For that matter, none of these characters looked much like another-except for the aura of intensity under tight control that they share with their creator. De Niro's eerie ability...

Author: /time Magazine | Title: Show Business: De Niro: The Phantom of the Cinema | 7/25/1977 | See Source »

...There are many who went through the Carter campaign who wonder whether his Administration will be largely one of mood and style. But reviewing Carter's beginning, Jack Valenti, the head of the Motion Picture Association and the closest thing Washington has to a movie mogul, says that so far 'I'd give him an A.' Valenti believes he knows a good star when he sees one, having not only scanned Hollywood's best but also served in Lyndon Johnson's White House. 'Politics is mounted on symbols,' he says. 'Every...

Author: /time Magazine | Title: THE ADMINISTRATION: The New Washington | 2/7/1977 | See Source »

...would be difficult to turn a story about a boy and his pet hawk into a movie that was anything other than clean. But when Baker's Hawk began running last week at 350 U.S. moviehouses, it was evident that cab driver-turned-movie mogul Lyman Dayton had taken no chances. Hawk contains no sex, no profanity beyond "damn" and "hell," no bloodshed and only a suggestion of lawlessness (a band of vigilantes reacts to a crime wave that the audience never sees). Burl Ives, who teaches the boy (Lee Montgomery) how to train his bird, helps the movie...

Author: /time Magazine | Title: MOVIES: G for Gold | 1/3/1977 | See Source »

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