Word: mogul
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...Edward Gilbert's settings, his conception of a Pentagon mogul's office, seems rather more prosaic than it might have been, but on the whole the decors are elaborate and clever. There is, in fact, very little about The Solid Gold Cadillac that is not highly enjoyable, and a visit to the Colonial before next Saturday is highly recommended...
...mutual friend, "What she's got you can't spell, and what you have you used to have." But more often, the lines strain hard to evoke gasps of admiration; they produce only grunts of mystification. To prove that disaster has struck, a publicity agent says of a movie mogul, "I could tell something was wrong because he was eating as though the Labor Government had just been elected unanimously." It is not really surprising that the mogul's style of eating (he was putting jam on toast) lacked the particular characterization called for. What is worse, all of Mankiewicz...
...running duel between an American mogul and a canny crew of scotch boatmen, High and Dry is best when the Scots are trying to keep the mogul form repossessing a cargo that, by mistake, he gave them for hauling. They are quite casual about the chase, however, always ready to stop for some pheasant poaching, and positively avid to scrap the whole thing, put to shore and have a party. This attitude naturally distresses the mogul...
While the opposing business methods clash they are amusing, but when the picture tries to reconcile them, showing that everyone is really a brick beneath a seemingly loathsome exterior, the result is dreary. In one especially painful scene, Paul Douglas as the mogul, is almost seduced from the business virtues of ruthless efficiency and unbridled avarice that the British evidently find peculiarly American. When a gentle Scottish lass tells him about the beauties of indolence, the mogul seems about to chuck a princely fortune and sign aboard the Scots boat as cabin...
...company's $3,374,000 capital. Gone, too, was $5,600,000 of the government loan. British Lion had suffered heavy losses on such films as Cry, the Beloved Country and Gilbert and Sullivan. Said Korda, echoing the famous last words of many a onetime Hollywood cine-mogul: "They may not have done so well at the box office, but. . . they were good...