Word: mohsen
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Dates: during 1990-1999
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...separate interviews, conducted in Tehran over cups of tea, plates of sugary cookies and in one case a late-night pizza to go, Asgharzadeh and top planners Mohsen Mirdammadi, today a political-science professor, and Abbas Abdi, an outspoken newspaper editor, revealed fresh insights into their moment of history. They denied, to start with, that Ayatullah Ruhollah Khomeini had put them up to it. "The idea came to me while I was studying," Asgharzadeh recalled, joking. "I didn't mind getting away from the books...
...dissent has been the national daily Khordad. The newspaper has published defiant antiregime opinions by prominent clerics, notably Grand Ayatullah Hossein Ali Montazeri, who has been under house arrest since 1997 for questioning velayat-e-faqih, the absolute authority of the clergy. In an explosive article, a young cleric, Mohsen Kadivar, even criticized the royalist tendencies of the clerics and their treatment of Supreme Leader Ayatullah Ali Khamenei as a shah. Hard-liners feel particularly threatened, explains newspaper commentator Akbar Gangi, because the reformers have impeccable revolutionary credentials too and thus cannot be lightly dismissed or called traitors. Says Gangi...
...Czech New Wave of the mid-'60s has a country made such a lovely noise at the big festivals and in Western capitals where the term foreign film doesn't evoke a yawn. Directors Abbas Kiarostami (A Taste of Cherry), Jafar Panahi (The White Balloon) and Samira's father Mohsen Makhmalbaf (Gabbeh) are as revered in the world film community as they are anonymous at American 'plexes...
...Gabbeh Tough heroes, winsome kids, things that blow up in the night--can there be another way to make movies? Yes, in this lyrical fable of a woman who literally lives in the weave of a carpet while she awaits her lost love. Iran's Mohsen Makhmalbaf is a weaver too, of sweet dreams, vivid colors and magical filmmaking...
Perhaps a semidocumentary about the nomadic Ghashghai goatherds and carpetmakers of southeastern Iran is not your idea of a fun night at the 'plex. Yet Mohsen Makhmalbaf's Gabbeh is a visual wonder, folkloric and folk-lyrical. Color has rarely been used so sumptuously as in this fable of Gabbeh (Shaghayegh Djodat), a beautiful young woman whose marriage to a dashing horseman her father keeps postponing. Gabbeh means carpet, and the young woman is a kind of textile goddess weaving a spell over the proceedings. She must watch the painful birth of a calf, the playful bickering...