Word: mol
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Dates: during 1990-1999
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What to Look For The cast is mostly populated with up-and-comers, such as Gretchen Mol (fresh off the poker flick Rounders) and Bierko, last seen in the putrid Sour Grapes. Although the themes of The Thirteenth Floor have been explored in such recent films as Dark City and The Matrix, Emmerich promises a unique experience that combines mystery, romance, futuristic thrills, and period piece drama...
...involved should carefully adjust the directions of their careers. John Dahl should return to the genre which made him famous--the sexually charged neo-noir thriller that he basically reinvented. Matt Damon should go for range and dive into a weird character--maybe even a villain. (Sacre bleu!) Gretchen Mol should have a heart-to-heart with Meryl Streep. John Malkovich should just relax. Rounders should be a transition piece for all these artists. Let's hope they move on to bigger and better things. Soman Chainani...
...carefully adjust the directions of their careers. John Dahl, for instance, should return to the genre which made him famous--the sexually charged neo-noir thriller that he basically reinvented. Matt Damon should go for range and dive into a weird character--maybe even a villain. (Sacre bleu!) Gretchen Mol should have a heart-to-heart with Meryl Streep, and John Malkovich should just relax. In short, Rounders should be a transition piece for all these artists. Let us hope they move on to bigger and better things. Soman Chainani...
SCENES FROM A MOL...
Vanity Fair has demonstrated a most Vernon Jordan-like interest in fostering ambitious young talent. In previous months, the magazine has showcased Matt Damon and Matthew McConaughey on its covers before either had cracked the big time. We can only imagine what awaits budding "It Girl" GRETCHEN MOL, who, though still an unknown, will make her second cover appearance on the magazine's September issue. In April, Mol appeared as part of the ensemble fronting the magazine's "Hollywood" edition, shot, like the photograph above, by Annie Leibovitz. Audiences can decide for themselves whether Mol is worthy of such attention...