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...poor are lucky to get by from day to day, middle-class parents have their eyes on something else-the future, which becomes concretely symbolized in the child: through him, through her, one can get hold of the future, secure it, possess it, mold it, ensure it. With the decline of religion and an increasing affluence, the happiness, security and welfare of children become for many a major obsession which, in turn, has a broad and strong impact on the way children look, play, get educated and, not least, are treated at home. In our middle-class suburbs, infants...

Author: /time Magazine | Title: Bicentennial Essay: Growing Up in America--Then and Now | 12/29/1975 | See Source »

...expects something in the Mel Brooks mold-raucous, anarchical, anachronistic-from Gene Wilder's debut as a director. He has, after all, recruited members of the Brooks mob: Madeline Kahn, Marty Feldman, Dom DeLuise. Like Brooks' most recent works, Adventure is a broad parody of a hoary popular form, in this case the period detective drama...

Author: /time Magazine | Title: The Theater: Sandbox Sleuth | 12/22/1975 | See Source »

Though the battle for coeducation is pretty much won, vestiges of all-male days remain to haunt campus feminists. One example: the unabashedly male-chauvinist wording of Penn State's Alma Mater. The anthem's phrase "Thou didst mold us, dear old State," recently lost its refrain "Into men, into men." "When we stood at boyhood's gate" emerged unisexually as "childhood's gate." Elsewhere, however, sexism yet sounds hi full voice. At Princeton football games, for example, "her sons" still give "three cheers for Old Nassau." Princeton Recording Secretary Fred Fox says that if "sons...

Author: /time Magazine | Title: The Sexes: Alma Neuter? | 12/15/1975 | See Source »

...works--a highly specialized sample of the art of sculpture between 1778 and 1914, The differences between works are minute, and either an expert's eye or the $35 catalogue is needed in order to recognize the differences between one "Lion Attacking a Serpent" made from a plaster mold, and another made from a gelatin mold. Each mold makes a particular kind of scratch on the surface of the piece, which an uninitiated viewer can easily overlook...

Author: By Kathy Garrett, | Title: Lions Crushing Serpents | 12/12/1975 | See Source »

...excellent but outrageously expensive catalogue, likes to draw a parallel between this collection and the pieces by the late sculptor David Smith which critic Clement Greenberg recently took it upon himself to repaint. Each of the statues in this show was similarly refinished when it came from its mold--the caster added details, smoothed the finish, destroyed the mystique of the artist...

Author: By Kathy Garrett, | Title: Lions Crushing Serpents | 12/12/1975 | See Source »

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