Word: molds
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Dates: during 1980-1989
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...request of the School Committee, the city removed carpets in the CRLS art center last December, where mold and mildew resulting from dampness had caused irritation...
...small triumph, considering the sorry history of repression exercised by Goskino, the state censorship board. For any reason or none, Goskino could cut a scene, ban a film, put a director out of work or put him in jail. Sergei Paradjanov, a lyric poet in the Dovzhenko mold, spent nearly four years in prison. Andrei Tarkovsky, the greatest Soviet director since Eisenstein, filmed Andrei Rublev in 1966; the complete version was not shown publicly in the U.S.S.R. until 1987, just after Tarkovsky died in exile. Alexander Askoldov's The Commissar, filmed in 1967, was accused of "Zionist tendencies" and suppressed...
...father of the state, Vladimir Ilyich Ulyanov, the man who renamed himself Lenin and reshaped Russia in the Bolshevik Revolution. One crucial slip by workers at Moscow's All-Union Artistic-Production Association (hear the clang of bureaucracy in that name), and they must pour a whole new mold. In attempting nothing less than a second revolution, Mikhail Sergeyevich Gorbachev is also adjusting Lenin, paying lip service to his dogma even while reshaping it to fit the needs of the U.S.S.R. The task is a delicate one, for the future of the Soviet Union -- in some ways, the future...
...Soviets approve of Raisa's high profile. Groused one Muscovite: "What is the meaning of Raisa this, Raisa that? Am I supposed to live like she does?" At a televised celebration at the Bolshoi Theater after her speech, it was clear that she has not totally broken the traditional mold of Soviet leaders' spouses. Mikhail Gorbachev sat on the dais, while Raisa watched from the audience...
...Broadway misses Robbins. For a decade or so after his abdication, the American musical was dominated by choreographer-directors in the Robbins mold: Bob Fosse, Michael Bennett, Tommy Tune. Today, though, Broadway is little more than a posh road stop for the British musical; the '80s' three signature smashes (Cats, Les Miserables and The Phantom of the Opera) were born in London. Jacobs tacitly acknowledges this when he proclaims Robbins "a genius, probably the genius of our time," then adds, "God pity me if Andrew Lloyd Webber hears that...