Word: molds
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Cocksure and with a track record of travel that includes a stint in the Peace Corps. Paul Theroux, too, has styled himself in the mold of those American writers who demand consideration of their contribution to the literature of travel. He writes about the world as if a were a marvelously crafted gadget to be pulled apart and played with, something wondrous in all its aspects yet entirely susceptible to the grasp of his imagination...
Martin County has been solidly Republican ever since Confederate troops swept through the area during the Civil War. With no party lines to mold their choices, Martin Contains have developed political standards of their own. Nativity is a prime consideration no immigrant from outside the region would have a change for county office, and campaign ads in the local paper read like genealogies. One candidate for judge-executive listed not only his parents and grandparents, but all those in his high school graduating class...
...Norman Thayer a retired professor rounding 80, Fonda plays the curmudgeon to the hilt. Thompson's script is very much in the Neil Simon mold since it is one great aggregation of one-liners, and Fonda gets the lion's share of them. The jokes are a bit softer and more countrified than Simon's bitchy repartee. but Fonda succeeds in putting enough spin on them to give the dialogue bite. His deadpan is convincing. He puckers up his chin a little and blows the quips out like a man nonchalantly shooting marbles from his mouth into a brass spittoon...
Propelled by piety, Lady Marchmam (Bloom) tries to mold everyone into goodness. Therein lies much of the family tragedy. Lord Marchmain (Olivier), his love turned to hatred, has gone into self-imposed exile in Venice; Sebastian becomes a doomed and hopeless alcoholic. "Poor Mummy," he says, when he later learns of her death. "She was a true femme fatale. She killed with a touch." Sebastian's beautiful sister Julia (Quick) meantime marries a crass politician, and Charles, who has become a painter, enters into an unhappy marriage of his own. Ten years later, the two of them meet again...
...always existed, but talk shows haven't. Trow's sole explanation, which consists of his pointing a finger at the marketplace and calling it a "con," is facile. Certainly, popular culture has its moguls and manipulators who know how to supply the required "comfort," even how to mold the public yearning for it. Yet one must wonder if the success of the transaction, the apparent (if usually silent) satisfaction of the consumers, does not suggest a widespread desire for this culture of agreement. That assumption is substantial and sadly pessimistic. But it is hard to believe that human nature changed...