Word: moll
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Dates: during 1990-1999
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...with screenwriter husband Dan Gilroy and five-year-old daughter Rose. Though Russo has yet to carry a film on her own (her sole effort was the failed kid flick Buddy), she still takes home $5 million a picture. Next she branches out to broad comedy as the Russian moll Natasha in The Adventures of Rocky and Bullwinkle. But what will she do with that darn dress? "It's not in my closet," she laughs. "After the scene ended, the wardrobe people ripped it off my body, and I turned back into a plain Cinderella again." And there...
There's Bonnie (Meg Ryan), the woman used by Eddie and Mickey as their own sexual welcome wagon. There's Darlene (Robin Wright Penn in a reprise of the troubled slut she portrayed in Forrest Gump and Moll Flanders; I miss The Princess Bride), the old flame passed between Eddie and Mickey who counters Eddie's infidelity with her own in mock independence. There's Phil (Chazz Palminteri), the struggling actor who drowns his artistic voice in a persistent whine about his own worth. And there's weed, Valium, fast cars, big houses, sex, sex and more...
...Admittedly, as the effete Toddy, Ross signals half his jokes and is forced to deliver some of the show's worst groaners--in response to Victoria's "I don't want to be a man anymore", he replies "Neither do I." But Dana Lynn Mauro as Norma, King's moll, elicits huge laughs with her brassy style, all malapropisms and mangled French ("You know French?" "Oh sure, I just don't speak it"). Flashy and loud, MaBBuro's vim shows up what Tennille lacks, and she was deservedly a crowd favorite. The burly A.J. Irvin, playing the stiff-lipped Squash...
...players except for Huggett and with Jeanne Galway on the golden flute that is a trademark of her husband. The playing was excellent all around, with the Galways flawlessly performing a passage that requires technical perfection if it is to be successful, creating an elegant echo effect. Cunningham and Moll were solid backup players, neither too loud and intrusive nor too quiet and listless. Except for a few fluffy notes on one of the flutes at one point, the performance was perfect...
Huggett took center stage for the next work, the Sonata in D Major for Violin and Basso Continuo by Jean-Marie Leclair, which she performed with Cunningham and Moll. Huggett and Cunningham have performed together as part of a chamber group, the Trio Sonnerie, and it showed in the lively interplay between the two musicians. Huggett's clear, sharp playing was a marvel, and both Cunningham and Moll, who provided a solid background to Huggett's soaring violin, ably supported...