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...know that humans and apes are virtually identical genetically. But if you find that scientific fact hard to accept on an emotional level, the work of James Mollison may help. For four years the English photographer traveled the world, making close-up portraits of gorillas, chimps and orangutans. The result is one of the most detailed and revealing visual studies ever made of the great apes...

Author: /time Magazine | Title: Planet of the Apes | 3/21/2005 | See Source »

...Face to Face," an exhibition of 30 of these striking portraits, goes on display at London's Natural History Museum from May 28 to Sept. 18. Each over 6 ft. [1.8 m] tall, the photographs reveal a moving depth of personality in their subjects. Mollison's apes are laid-back, cheeky, happy and sly. But disconcertingly, many also appear profoundly depressed and fearful, and no wonder. They are orphans, rescued from poachers. One of the subjects, a young gorilla named Pumbu (pictured above right), saw her parents killed for bush meat. Another, a sad-eyed Indonesian orangutan called Bonny (shown...

Author: /time Magazine | Title: Planet of the Apes | 3/21/2005 | See Source »

...flight comfort with an internet connection in every seat Take a Hike Destinations to restore your sense of wonder We all know that humans and apes are virtually identical genetically. But if you find that scientific fact hard to accept on an emotional level, the work of James Mollison may help. For four years the English photographer traveled the world, making close-up portraits of gorillas, chimps and orangutans. The result is one of the most detailed and revealing visual studies ever made of the great apes. "Face to Face," an exhibition of 30 of these striking portraits, goes...

Author: /time Magazine | Title: Planet Of The Apes | 3/14/2005 | See Source »

...years in building, almost 20 in planning, the gallery, for the time being at least, eclipsed every other cultural institution in Australia. "The establishment of a national collection," remarked the Queen in her speech, "is also the establishment of a national identity." The A.N.G.'s Australian director, James Mollison, 50, promised more to come. "Eventually," he declared, "this gallery will be so full of so much great art that people will walk inside and howl...

Author: /time Magazine | Title: Art: At Last, the Canberra Collection | 11/15/1982 | See Source »

...museum built in the past half-century has become so potent a source of local controversy. The gallery is entirely government-run on taxpayers' money. When Mollison bought Blue Poles from the American collector Ben Heller for the unprecedented sum of $2 million at 1973 exchange rates, the figure had to be made public. The issue was immediately seized on by the Australian press, whose management was bitterly opposed to Gough Whitlam's Labor government, as a prime emblem of artsy socialist mismanagement. The propaganda value squeezed from this episode certainly helped many Australians accept the virtual coup...

Author: /time Magazine | Title: Art: At Last, the Canberra Collection | 11/15/1982 | See Source »

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