Word: molls
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Dates: during 1980-1989
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...reprieved from death and befriends a little girl kidnaped by his scurvy old gang. Visually, the picture is swathed in Bluth's trademark golden browns and moody blues. Aurally, it's a reunion of the Burt Pack: Burt Reynolds is the voice of Charlie, Loni Anderson is the moll Flo, the exuberantly flustered Dom DeLuise is Charlie's pal Itchy. All Dogs dawdles a bit, but it offers the requisite charm and a poignant moral: some things, like friendship and honor, are worth dying...
Character descriptions make the book. Both the gangsters and the cool and unhampered "moll," Miss Drew, are carefully and wonderfully drawn. And Billy's crazy but serene mother, though a minor character, is beautifully irrational in her actions...
Itami turns this meal of a movie into a feast by spicing up the main plot with a wacky subplot to make clear the connection between food and sex. Two characters who keep returning are a hedonistic gangster (Koji Yakusho) and his loving, ever-ready moll (Fukumi Kuroda). In one love-making scene, he dips her breasts in whipped cream, and in another he seasons them with salt and lemon juice before licking it all up. Later, he takes an egg yolk in his mouth; they pass it back and forth as they kiss until she climaxes, and the yolk...
...reasonable to wonder, if Kennedy had lived and been re-elected, whether he would have got through a second term without a devastating scandal. Judith Exner was the moll of Mobsters John Roselli and Sam Giancana, and was introduced to Kennedy by Frank Sinatra. That's a deadly combination, even for those days. No President -- or candidate -- standing self-righteously on the great political trinity of wife, family and honor can expect to escape the judgment of the American voters on his sexual conduct. In the past, that judgment was often made posthumously. Now it happens much sooner...
...story like "Our Lady of the Massacre" shows why some people like to call Carter a feminist. The story traces the life of another Moll Flanders, but focuses on her career in the New World as an indentured servant, rather than on her bawdy past. Carter avoids the literal picaresque by making the protagonist ironically self-aware of the conventions of 18th century narrative: "...my name is no clue as to my person nor my life as to my nature." Stripped of a name, the voice could be that of any period picaresque character, Moll Flanders or--Tom Jones...