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Word: molnar (lookup in dictionary) (lookup stats)
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...Good Fairy. After samples of how inept Viennese comedy can be (I Love An Actress, A Church Mouse), the season has at last afforded the genuine article by the maestro who holds the controlling interest in that branch of contemporary drama -Ferenc Molnar...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 7, 1931 | 12/7/1931 | See Source »

...Church Mouse. Some doubt exists as to whether all Hungarian plays not written by Ferenc Molnar are originally dull, or if their dullness is due to the unerringly wooden touch of Frederick & Fanny Hatton who adapt most of them to the U. S. stage. Last month Laszlo Fodor's I Love an Actress was presented in Manhattan. Like an interesting photographic landscape, it had form and pattern but no color. Equally lifeless is A Church Mouse, another load of Fodor which relates the story of a drab little girl who has cunning enough to persuade a rich...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 26, 1931 | 10/26/1931 | See Source »

...Love an Actress is a flimsy trifle in the Molnar manner, translated from the Hungarian of Laszlo Fodor. It is directed and produced by Chester Erskin, the man who put the final and triumphant touch of grimness into Subway Express and The Last Mile. The same note of grimness has unfortunately thrust itself into I Love an Actress, producing an effect not unlike that of a wispy Marie Laurencin drawing surrounded by a baroque gilt frame. Joe Mielziner has done sets that are too gorgeous for any actor to be funny in front...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 28, 1931 | 9/28/1931 | See Source »

...Copley Theatre is closing. The talking movie has made a stock company impractical. This may be a minor incident in the life of the theatre and it may be the hand writing on the wall. Some years ago the Copley was forced to discard the plays of Shaw, Molnar, and other of the contemporary immortals, because Boston was uninterested. The company then turned to mystery plays and trivial fantasies in an attempt to conform with local dramatic appreciation. For a time it seemed that the venture would succeed. But that, too, has failed...

Author: NO WRITER ATTRIBUTED | Title: THE MOVING FINGER WRITES | 11/3/1930 | See Source »

Robert K. Marshall 1G, who was to have supervised the production of Ferenc Molnar's play, "Olympia", which the Harvard Dramatic Club had planned to produce with the cooperation of the Idler Society but which was banned by Dean B.V. Brown of Radcliffe, has been appointed to direct this stylized production of Oscar Wilde's well-known play...

Author: NO WRITER ATTRIBUTED | Title: IDLER COMPLETES CAST FOR NEW PLAY | 10/29/1930 | See Source »

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