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Word: moma (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Talking about this reminds me of last summer's "Picasso and Portraiture" show at MoMA, which was organized around Picasso's biography and almost completely ignored the issue of style. Although this approach seems out of place in the contemporary critical climate, I wonder if it develops from a real practical need for a narrative structure, similar to an undergraduate's desire for a chronological art history survey. Maybe the public coming to MoMA would find this narrative easier to deal with than a show that grappled with a more complex issue like style. Do you think that this kind...

Author: By Scott Rothkopf, | Title: Krauss and the Art of Cultural Controversy | 5/16/1997 | See Source »

...Mondrian retrospective at the Museum of Modern Art in New York City, curated by an international panel led by the art historian Angelica Zander Rudenstine, is quite simply one of the best shows MOMA has ever held--a worthy successor to its surveys of the two other 20th century titans, Picasso and Matisse. In its New York form, the exhibition includes paintings that, owing to their fragility, couldn't be lent to earlier venues in Washington and Holland--Broadway Boogie Woogie, 1942-43, and Victory Boogie Woogie, left unfinished at his death...

Author: /time Magazine | Title: ART: PURIFYING NATURE | 10/23/1995 | See Source »

...somewhat surprising choice to head the world's pre-eminent collection of 20th century art; an Islamic art expert, he has curated the Near Eastern treasures of the Smithsonian's Freer and Sackler Galleries. "He doesn't want to be a curator; he wants to be an administrator," explained MOMA board chairman Agnes Gund. "At the same time, he understands what a curator does...

Author: /time Magazine | Title: The Week November 13-19 | 11/28/1994 | See Source »

...Varnedoe, it is a handsome affair with a cogent, detailed catalog introduction. Neither show nor catalog exactly inflates its subject, and yet one may not be quite convinced that Twombly, despite the past slights inflicted on his reputation in America, is the powerful artist of the first rank that moma would like...

Author: /time Magazine | Title: ART: The Grafitti of Loss | 10/17/1994 | See Source »

...became Emperor in the 2nd century A.D., went mad and was strangled. Given the New York art world's self-absorption at the time, it seems fitting that Commodus' assassin was an athlete named Narcissus. Perhaps because of the trauma of their reception, the Commodus paintings are not in moma's show. In any case, Twombly was repatriated to America 20 years later by the enthusiasm that younger European artists and collectors felt for him. He acquired American imitators...

Author: /time Magazine | Title: ART: The Grafitti of Loss | 10/17/1994 | See Source »

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