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Word: moma (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...exhibit? "I don't," he says. And he means it. His working method is to take hundreds, even thousands of pictures--though rarely more than one shot of any particular scene--and let his curator or editors sort it out. For "William Eggleston's Guide," John Szarkowski, the legendary MOMA photo curator, effectively served a role like the one that editor Maxwell Perkins played for novelist Thomas Wolfe, drawing a meaningful work out of a superabundant output...

Author: /time Magazine | Title: Light Fantastic | 10/31/2008 | See Source »

Night Vision. Van Gogh and the Colors of the Night is at New York City's Museum of Modern Art. The small exhibit includes the artist's masterpiece, "Potato Eaters," and other night-inspired paintings, drawings and letters. See the collection on MoMA's late night (Friday), then hit Danny Meyer's Modern bar and restaurant next door for drinks and small plates (sit in the Bar Room). The Alsatian thin-crust tart with crème fraîche, onion and applewood smoked bacon is perfect with a glass of white. The Van Gogh exhibit runs through...

Author: /time Magazine | Title: Travel News: Cheap Helicopter Rides from JFK | 10/30/2008 | See Source »

...where the centerpiece was a large retrospective in Barcelona. This week an even bigger Miro show goes on public view at the Museum of Modern Art in New York City: 291 paintings, drawings, sculptures and ceramics, put together by art historian Carolyn Lanchner. Miro got his first retrospective, at MOMA, more than half a century ago, and now he is getting the treatment reserved for the heaviest guns of 20th century art: Picasso in 1980, Matisse last year. If the show doesn't carry you along to the very last picture with its current of narrative expectation, as Matisse...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...collide with an enameler's decorative sense. The climax of Miro's talent for oscillating between the general and the particular was his series of 23 modestly sized paintings known, collectively, as the Constellations, most of which he painted in Mallorca, after fleeing from occupied France, in 1940-41. MOMA has managed to assemble all of them -- a real feat of curatorial borrowing power. The recurrent shapes in these are two black forms -- the circle and a bow tie, or diabolo -- which overlap and dance in deep space in swarms, with uncanny and magical precision, alternating with other signs from...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...evidenced by those unlikely guests at the MoMA opening - some of whom used the occasion to digitally spray comments mocking both the opening night crowd and the institution itself - the GRL seems to be inhabiting two worlds simultaneously. Powderly has called his laser tag device a "weapon of mass defacement." But their light art disappears with flip of a power switch, making it not necessarily illegal in some municipalities. "We talk about graffiti a lot," Roth says, "People view graffiti differently, some think of graffiti as an end design, but others think of it as an action, and by graffiti...

Author: /time Magazine | Title: Graffiti 2.0: Gone by Morning | 4/14/2008 | See Source »

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