Word: momental
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Dates: during 1950-1959
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LOOKING back upon a moment of history, NATIONAL AFFAIRS recalls the Battle for Leyte Gulf, which flamed into the headlines 15 years ago this week. It was the Japanese Empire's last stand. Never had a sea battle's stakes been so high, never so many warships involved, never such fierce fighting over such a vast expanse of trackless ocean. It was in fact four great battles, waged with every known naval weapon, majestic in its sweep, but complex and even controversial in its detail. Both the sense of sweep and the drama of detail...
Barely two months ago, in a moment of unwonted honesty, Red China's braggart overlords admitted that the economic achievements of 1958's Great Leap Forward had been vastly inflated, and revised their 1959 production goals downward. But the price of truth proved too painful. Fortnight ago, during the celebration of the tenth anniversary of the Red takeover in China, Premier Chou En-lai complained: "The imperialists ridicule our adjusted 1959 plan as a 'big leap backward' . . . Obviously, it is a continued great leap forward on the basis of the exceptionally big leap forward [the year...
...became strangers in a new land, suffered from the cultural conflict, found it hard, at first, to escape from slums. Now this is the Puerto Rican plight. Says Fitzpatrick: "The poverty of Puerto Ricans, their language handicap, their lack of sophistication about mainland city life, leave them, at this moment, particularly exposed to exploitation. The things that gave a man or woman dignity and honor in a Puerto Rican village are greeted with ridicule in New York...
...year ago that the confident Indians breezed into Cambridge expecting to stay undefeated in Ivy play, only to limp away following the League's upset of the year. The Crimson, beset by early season quarterbacking problems, had found its answer in Charlie Ravenel, who led the varsity to its moment of glory...
...script has been knowledgeably written by Playwright Lee, and directed by Joseph (The Matchmaker) Anthony with a sure sense of the theatrical moment. Actor Franciosa gives much the most coherent performance of his film career and he is fairly well supported by Dean Martin and Shirley MacLaine. The main trouble with the picture is the perhaps inevitable one that the characters are so actorish and attitudinous that they come to seem phony, and their problems unreal. They are so passionately and exclusively interested in themselves that the spectator may sensibly conclude that they do not need any interest from...