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Word: moments (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...first year and holding his own against TV's mightiest (Milton Berle, Groucho Marx, Lucille Ball). Then in 1957 he announced his retirement "from the lights of TV to the shades and shadows of the Cross. As the retirement was dictated by spiritual considerations, so will be the moment of return." The exact spiritual considerations are not known, but Uncle Miltie has announced his return to the silver tube and so now has Uncle Fultie. Beginning in the fall on 30 syndicated stations, New York's Bishop Fulton J. Sheen, 71, will conduct a weekly color series called...

Author: /time Magazine | Title: People: Jul. 22, 1966 | 7/22/1966 | See Source »

Perhaps the only possible answer is that privacy must be fought for resolutely step by step: the door closed, the questionnaire ignored, the mass resisted, the electronic eye out-stared, the moment of silence stolen and cherished. That way does not lie loneliness or selfishness but the best, indeed the only way toward community. For only in the healing and sometimes illuminating moments of privacy can a man make himself truly fit to live with others...

Author: /time Magazine | Title: Essay: IN DEFENSE OF PRIVACY | 7/15/1966 | See Source »

...like me. But why should some jerk they dragged in off the street have the right to push a button and say whether or not I should play in the series?" Veteran Producer Herbert (The Defenders) Brodkin wonders: "How you would enjoy a Broadway show if at every moment you were conscious of having to push a button or turn a dial...

Author: /time Magazine | Title: Television: Panic Buttons | 7/15/1966 | See Source »

...conclusion of it, we feel that we know and admire the same man his contemporaries knew and admired, and it is a moment before we realize how much our admiration must be given also to the actor who has made this possible...

Author: NO WRITER ATTRIBUTED | Title: Arms and the Man, A Man for All Seasons | 7/15/1966 | See Source »

What greatness there is in Joan Littlewood's World-War-One farrago consists in its showing us in a straightforward way that war is a distinct emotion. One is in love; one is at war. To get that point across a director must give us, infant fashion, a moment-to-moment account of the emotion of everyone on stage, Giggles must end in sucked-in breaths of anguish and operatic voices must descend into fiish market bawl. Everyone on the stage last night seemed to have understood this perfectly, and if they did it is because the director understood...

Author: By Charles F. Sabel, | Title: Oh What A Lovely War | 7/15/1966 | See Source »

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