Word: moments
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Dates: during 1960-1969
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...flowers that fill Chagall's home in Vence you report: "The moment they begin to fade, the artist prods his wife to throw them out." The contrasting attitude of Pierre Bonnard is interesting. In an interview some years after Bonnard's death, his longtime housemaid said that one of her despairs was the master's way with the bouquets she brought in from the garden daily. Not until they were ready to throw out did he show interest in them; then, when that first shine was off and petals were falling, he began to paint them...
Bruce Kornbluth's Sergeant Kite is a masterpiece of Villainy; his masquerades as a lady fortune-teller and as a preacher are splendidly done. K. Lype O'Dell's Balance and David Meneghal's Brazen are fine comic parts. In a moment of inspiration, Chapman Laurence Senetlick in the relatively minor role of Simpkins, and Senelick's sniggering, swaggering portrayal of the only poor man who lines up with the bourgeoisie (he's Justice Balance butler) justifies him. Simpkins' description of Bunker Hill is one of the highlights of the evening...
...confidence after a shaky start. His trips to the Soviet Union, Canada and Britain have given him big headlines at home; he has weathered a major food crisis and worked out a truce with Pakistan in the Rann of Kutch. Last week, with Desai safely quenched for the moment, Shastri flew off for another foreign journey-this time to Yugoslavia for talks with Marshal Tito...
While hordes of demonstrators disjointedly roamed the streets of Athens, Novas consulted with the King and an nounced that Parliament would attempt to reconvene this week, for "only Parliament's rejection by ballot can dismiss us." But for the moment, at least, it also seemed that sooner or later Parliament would do just that, and young King Constantine would either be forced to recall Papandreou or call the new elections that Papandreou demands...
...going to the Ex tonight. Like much of Chekhov's work, the play is concerned with the conflict of old and new, the present and what has gone before. This conflict is centered in the figure of the old actor, who is superbly portrayed by Julian Lopez Morrillas One moment he is the aged, broken, drunk old man; the next, one sees his genious flash through as he monologues excerpts from Antony's funeral oration and Lear's storm speech. Eyes blazing, he momentarily recaptures the brilliance he possessed as a young actor. As the aged prompter, Mike Owens...