Word: moments
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Dates: during 1960-1969
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...Rojack (like Mailer?) con- ducts his life as if it were some black experiment, he needs the battle even when life itself has almost been kicked out of him, needs the action, the booze, the orgasm--that inescapable moment--even with the fetid breath of murder and suicide and madness congealing in his nostrils. Even dizzy on the parapet, exhausted in the desert, he pushes on, tracking the devil, hunting out a more ultimate disaster; ready, even on the precipice of collapse, to go the very depths of possible experience...
Third, Johnson has made a speech launching a peace offensive. He understands, as do the Russians and Chinese, the advantages of talking peace while escalating the war. Fourth, Johnson is trying to coax the South Vietnamese government into enacting agrarian reforms. This is the best possible moment for such reforms, since the Vietcong has boosted land taxes in some of the areas it controls almost to the levels demanded by the old landlords. This was necessary to support the increasing number of Vietcong regular troops. The peasants in affected areas have retaliated by defecting and by giving the Southern army...
...moment there was silence. Then the first pathetic moans sounded from the wreckage. They became screams. Sirens began to wail in the distance. At last, people started to stumble from the embassy, blood streaming from their faces and arms, their hair glistening with blood and tiny shards of glass...
...Judith, enchantingly played by Rosemary Harris, is a rich, pampered, articulate minx who means to sacrifice her virginity as an act of personal grandeur. The total modernity of heroine and play is that Judith is as brimful of self-consciousness as she is barren of faith. In a moment of mortal peril among enemy underlings, she calls on Holofernes, not Jehovah, to save...
With half a dozen plots to juggle, Preminger keeps all of them interesting for at least two of the three hours spent In Harm's Way. At one moment he shrewdly plays the grimness of war against the undeniable glamour of it, next diverts the flow of sentimental clichés into a vein of snappish humor. "I'd enjoy meeting your son," says Meredith. "Naw-you wouldn't," grumbles Wayne, eying the lad across a messroom with eloquent distaste. Other scenes crackle comfortably: O'Neal cravenly having his backbone slapped into shape...