Word: mon
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Dates: during 1970-1979
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Tafayette Penn: This game, played last night on Franklin Field's astroturf, will obviously start the Ivies on their merry way. Easton vs. Philadelphia, C'mon. But on the other hand, let's look at it this way. Penn has smashed Colgate, 35-28, in a scrimmage and in return. Lafayette was equally smashed by Colgate last week, 33-14. So let's chalk it up. Seven plus 19 equals 26. The Quakers and coach Harry Gamble then get four extra points for getting Don Clune past the Penn Admission Committee -- no small task. Hence an impressive Penn opener...
Godspell. The cheery. American-clean musical version of the Gospels. Not much to freak out on. WILBUR THEATER, Mon.-Sat. eves 7:30; Wed., Sat. mats...
...Philippe keep his original surname. "How," he asks, "will he be able to answer the teasers who say he is not his father's son because of a different name?" Similarly Paulette stalwartly refuses to give up her married name; she loves to call Gérard "mon petit Trognon" at intimate moments. The couple has received letters of support from some 30 other Trognons throughout France in the past two weeks. France-Soir, the nation's largest daily, condemned the court decision as "inconceivable." Le Monde sagely reminded the judges that once upon a time schoolboys...
...songs played at Boston Common on August 9 have in common a pervasive country flavor, the flavor that Furay sought in leaving the Springfield for Poco. The sets that used to begin with the irrepressible rock 'n' roll feeling of "C'mon," start with the shit-kicking, finger licking goodness of "Hoe- Down," in acknowledgement of Poco's antecedents, "Well, I'm goin' to a hoe-down--And kick up my heels--Go all night and never slow down--Yes, I love how it feels." Three more songs were played in rapid succession: "It's a Good Mornin'," "Railroad Days...
...rock music made by deceptively good musicians. The most significant improvement over last year's performance is the emergence of Paul Cotton as a lead guitarist, allowing the band to stretch out some of the songs. "Keeper of the Fire," with its insistent rhythms, and the stretched out "C'mon," now closing the show, gave him a chance to show his abilities. Cotton is not Dicky Betts, or Eric Clapton, but his rock lines, though predictable, are more than adequate. He's also a very fine country rock guitarist, a genre which demands special talents, particularly the ability to refrain...