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...front lines, explained Lincoln's Emancipation Proclamation to schoolchildren in Bangkok, told schoolboys in Malaya: "I might bring to your attention that hate and fear are two things with which babies are not born." There were many, but not too many, songs-Schubert's Serenade in Manila, Mon Coeur S'ouvre a Ta Voix from Samson and Delilah in Bombay, Schubert's Ave Maria in many places-and some long, too long, interviews in between. She went to an old church in Viet Nam to sing Let My People Go, to a meditation temple in Rangoon...

Author: /time Magazine | Title: Television: Review | 1/6/1958 | See Source »

GroupDate I, M 8 Sat., Jan. 18 II, M 9 Mon., Jan. 20 III, M 10 Mon., Jan. 27 IV, M 11 Wed., Jan. 29 V, M 12 Thurs., Jan. 23 VI, M 1 Wed., Jan. 22 VII, M 2 Sat., Jan. 25 VIII, M 3 Sat., Jan. 18 IX, M 4 Sat., Jan. 18 X, T 8 Tues., Jan. 28 XI, T 9 Fri., Jan. 24 XII, T 10 Tues., Jan. 21 XIII, T 11 Fri., Jan. 17 XIV, T 12 Sat., Jan. 25 XV, T 1 Tues., Jan. 28 XVI, T 2 Tues., Jan. 28 XVII...

Author: NO WRITER ATTRIBUTED | Title: EXAM SCHEDULE | 1/6/1958 | See Source »

...shot! It's beautiful. I love it." "It's sloppy. It stinks." "Shoot tight on someone in the foreground." He turned to direct a scene where Gazzara has just discovered that his roommate is dead. "Okay. Start Benny out of the bathroom, fellows. C'mon, I don't have much time." (Explained Frankenheimer on the side: "If you don't drive them, you have last-minute panic...

Author: /time Magazine | Title: Television: Backstage at Playhouse 90 | 12/2/1957 | See Source »

GroupDate I, M 8 Sat., Jan. 18 II, M 9 Mon., Jan. 20 III, M 10 Mon., Jan. 27 IV, M 11 Wed., Jan. 29 V, M 12 Thurs., Jan. 23 VI, M 1 Wed., Jan. 22 VII, M 2 Sat., Jan. 25 VIII, M 3 Sat., Jan. 18 IX, M 4 Sat., Jan. 18 X, T 8 Tues., Jan. 28 XI, T 9 Fri., Jan. 24 XII, T 10 Tues., Jan. 21 XIII, T 11 Fri., Jan. 17 XIV, T 12 Sat., Jan. 25 XV, T 1 Tues., Jan. 28 XVI, T 2 Tues., Jan. 28 XVII...

Author: NO WRITER ATTRIBUTED | Title: EXAM SCHEDULE | 10/30/1957 | See Source »

...them with an exploitation title. You don't need big names." You don't need a big bankroll, either; Werewolf cost less than $150,000 to produce, by last week had taken in a monstrous $1,700,000. Another Cohen production, being rushed onto film before other mon-stermakers start blood-and-ducktail thrillers: I Was a Teenage Frankenstein...

Author: /time Magazine | Title: Cinema: Shock Around the Clock | 9/9/1957 | See Source »

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