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...love and art. This retrospective of his work, from the portraits and cityscapes done in New York’s Greenwich Village in the 1940s to the abstract work that followed his 1953 move to Paris, demonstrate his wide vocabulary of topics and emotional colors. Through May 4. Hours: Mon.-Sat., 10 a.m.–5 p.m., Sun. 1–5 p.m. Free admission. Sert Gallery, Carpenter Center, 24 Quincy...
...Stewart's sense of humor stands him in good stead during a forbidding journey that begins in Istanbul and then carries him through bleak Russia, bleaker Kazakhstan and into the finality of Mon-golia, a swept land that "made the sky ... seem crowded and fussy." Inspired by what he perceives as the Arcadian freedom of the nomads?the word Mongo-lian, he writes, "evokes the scent of grass and of fallen leaves, some atmosphere of twilight and horses"?Stewart plans to journey the 1,600-kilometer breadth of Mongolia by horse, not a good idea unless your last name...
...turns into Gaffeland, and what happens next can be comic. Both kinds of gaffe--regular and supersize--set the stage for festivals of disingenuousness and outright dishonesty. In some ways, the most honest reaction to the brouhaha has been that of Lott himself. His position has been, "Oh, c'mon, I didn't mean it." And surely he didn't mean it, at least consciously. Even if he is a racist, he had no reason to want to say so. Lott must sincerely and understandably feel blindsided. Since when are the fawning remarks of some politician at another politician...
...BOTTOM LINES "It's like swapping Pokémon cards on the playground and earning a bonus when you have printed your own." Rupert Walker, former fund manager at Govett Investments, on the "split-capital investment trusts" now being investigated by Britain's Financial Services Authority "We think he is Lord of our transportation choices as well as all our other choices." Jim Ball, director of the Evangelical Environmental Network, on their WWJD ("What Would Jesus Drive?") campaign against sport-utility vehicles
...needs new? Of the 16 musicals now playing in midtown Manhattan theaters, three are set in the 1920s ("Cabaret," "Chicago, "Thoroughly Modern Millie"), three in the 1930s ("42nd Street," "Oklahoma!", "The Boys from Syracuse"), and three, mon Dieu!, in 18th or 19th century France ("Beauty and the Beast," "Les Mis?rables," "The Phantom of the Opera"). Broadway tourists can visit ancient Egypt ("Aida) or Fairy Tale Land ("Into the Woods"). But it's tough to find either a musical that takes place in the here and now - "Urinetown" is a city of the future that looks like Pittsburgh in the Depression...