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Authenticity is the original-instrument movement's goal And this is the famous Mona Lisa," said the tour guide at the Louvre...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...flipped a switch and Leonardo da Vinci's masterpiece was suddenly projected, in garish colors, on a ten-foot television screen. "But I thought the Mona Lisa was a painting," objected one astonished tourist. "Not any more," responded the guide. "We feel that if videotape had been around in Leonardo's time, he would have used it." The tour moved on. "On the next screen we have the fabulous Winged Victory...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...huge concert grand with a booming bass, is worlds removed from its gentler 18th century forerunner. In this welter of sound, inner voices are lost, delicate balances are destroyed. Exciting as the performance might be, the result is as distorted a reproduction of an art work as the Mona Lisa on a Trinitron...

Author: /time Magazine | Title: Music: Letting Mozart Be Mozart | 9/5/1983 | See Source »

...with the pitchfork and faded bibbed overalls, she of the dowdy mien and disapproving eye, in front of that white frame house. For the mass audience it was the most famous painting in the world. The runner-up was Leonardo's Last Supper; and after that, what? The Mona Lisa? The Washington portrait by Peale? It hardly matters; the pre-eminence of American Gothic as a popular icon has not been challenged in several generations, since Wood painted it in 1930. Its fame sank Wood's reputation and took the rest of his work with...

Author: /time Magazine | Title: Art: Scooting Back to Anamosa | 6/27/1983 | See Source »

...compared with the immense Constable show at the Tate Gallery in 1976, which was the kind of exhibition that defines the image of an artist for a generation. Many favorites are not here, starting with The Hay Wain, the most reproduced landscape in English painting-a sort of vegetative Mona Lisa. But the show was curated by the world's leading Constable specialist, Graham Reynolds, formerly of London's Victoria and Albert Museum, and it serves as a delightful refresher course for those who know Constable and a brilliant introduction for those...

Author: /time Magazine | Title: Art: The Wordsworth of Landscape | 4/25/1983 | See Source »

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