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...they emerged, and there they were: Duke O'Connell as Jim Morrison of The Doors, Mona Caywood-Moore as Janis Joplin, Marc Hazebrouck as Jim Croce, Jesse Bolt as Elvis Presley, and wonder of wonders, Bolt's girlfriend Erin Rhyne as a female Elvis Presley...

Author: By Dequinces W. Josephson, | Title: Oh, Atlanta | 9/14/1978 | See Source »

Such family nurture is the province of the Mormon woman. "Because they are expected to be a mother of eight, a charming hostess, the perfect housekeeper with no help, and supportive of their husbands in all things, there's a lot of stress," says Mormon Housewife Mona Daniels. The church is honoring its women with a new sculpture garden at a restored village in Nauvoo, Ill., one of the Midwestern communities where raging mobs drove out the Mormons in the mid-19th century after Prophet Smith was shot to death. Despite the gesture, the church is adamantly opposed...

Author: /time Magazine | Title: Religion: Mormonism Enters a New Era | 8/7/1978 | See Source »

Despite the vigilant but not unsympathetic eye of Miss Mona (Carlin Glynn), whom no one would presume to call a madam, the girls feel that this house is cozier than home. But a puritan nemesis stalks them: a local TV Savonarola nicknamed "Watchdog" (Clint Allmon) who is bent on inflaming the Bible thumpers and incriminating the pols till they close down the Chicken Ranch...

Author: /time Magazine | Title: Theater: Delicate Bawdry | 5/1/1978 | See Source »

...pithy Southwestern scatology could carry the day he might conceivably have saved the ladies of the evening. It is a rip-roaring performance by Forsythe, who in past plays has often been immured in elegantly manicured drawing rooms. He is particularly sympathetic in his valiant defense of Miss Mona, whose long-ago lover and protector he has been...

Author: /time Magazine | Title: Theater: Delicate Bawdry | 5/1/1978 | See Source »

...arms with a measured deadpan delivery; then Wendy Perron, pouting over her twisted hands as she raises them overhead, leaving them crunched over her phooey expression; Trisha Brown next, hunching up her shoulders as if a little too innocent and awkward for such sensual display; and then small Mona Sulzman, sweeping her arms to the side then high, pulling herself up to the height of the others; lastly, Lisa Kraus, like a ship's figurehead with strongly-arched back and triumphant gaze...

Author: By Susan A. Manning, | Title: The Logic of Movement | 2/14/1978 | See Source »

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