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...observed the lady at length while it was on loan at London's Na tional Gallery between 1951 and 1953. "This picture," he explains, "has a mysterious way of growing on you the more often you see it. To me, Ginevra is utterly fascinating, more fascinating than the Mona Lisa, a miracle of psychological insight. Only once did Leonardo attempt to convey a mood of melancholy reserve, of disillusioned detachment. One feels, to quote Yeats, that Ginevra has 'cast a cold eye on life, on death.' " Concludes Walker: "Mona Lisa's smile is without gaiety; Ginevra...

Author: /time Magazine | Title: Painting: Enhanced Beauty | 3/24/1967 | See Source »

When the painting goes on display at the gallery on March 17, it may cause some controversy, for Ginevra dei Benci is no Mona Lisa. Leonardo painted her some 29 years earlier, when he had only recently completed his apprenticeship in the Florentine studio of Andrea del Verrocchio. The technique, while accomplished, is stiffer than that of his later works. Yet Ginevra, a curly-haired blonde with narrow, almost Mongolian eyes, a stern, pale mouth and alabaster skin, is clearly one of Leonardo's ladies. Like La Gioconda, she is ambivalent, as cold as she is beautiful...

Author: /time Magazine | Title: Paintings: The Flight of the Bird | 3/3/1967 | See Source »

...Alltime record holder: Leonardo da Vinci's Mona Lisa, whose smile drew 1,077,521 visitors to Manhattan's Metropolitan Museum during 26 days...

Author: /time Magazine | Title: Art: Appalled & Amazed | 2/24/1967 | See Source »

...sheer panic: "She'll use us, she'll make use of us, I can tell you! I can smell it!" Yet will she? Vivien Merchant ends her evocatively feminine performance with the elusive hint of a smile. The secret is as safe with her as with Mona Lisa...

Author: /time Magazine | Title: Theater: Land of No Holds Barred | 1/13/1967 | See Source »

...sure, the son of a St. Petersburg lathe operator seemed no art lover, paused only briefly before Da Vinci's Mona Lisa in the Louvre. But he could not get enough answers when shown the fuselage of the British-French supersonic transport, Concorde, or a frog's heart preserved-alive-in a Grenoble laboratory. Whether reviewing an honor guard of skiing policemen in the Alps or placing a paternal arm around a hesitant American correspondent, Kosygin, 62, was always a relaxed guest. "If we are all together, there will be no more wars," he shouted...

Author: /time Magazine | Title: France: A Lively Robot | 12/16/1966 | See Source »

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