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...great doors swing open to reveal the caped figure of King Henry V, sexily backlighted. His bishops and courtiers gaze at him like apostles at the unseen Jesus in some old biblical epic. And finally the monarch of Britain -- and of this robust new movie -- shows his face and speaks. It is an entrance angled to register awe for Kenneth Branagh. But how much awe can a 28-year-old actor, little known outside Britain and directing his first film, expect to inspire? Branagh recalls that when Judi Dench, who plays Mistress Quickly, first saw this scene, "she laughed...

Author: /time Magazine | Title: Cinema: King Ken Comes to Conquer | 11/13/1989 | See Source »

...dawn of the 1950s, the photojournalist was monarch of all he surveyed. No medium other than photojournalism challenged the status of the great picture magazines like LIFE and Look. The best photojournalists who survived World War II and then Korea were acknowledged giants. The 1947 founding of the photographers' cooperative Magnum had established the principle that picture takers should own the rights to their work. (Previously, rights had belonged to whoever commissioned a project.) Photojournalism could even claim a | theoretical foundation, as in Henri Cartier-Bresson's idea of the photographer as instant organizer of reality...

Author: /time Magazine | Title: New Challenges 1950-1980 | 10/25/1989 | See Source »

...personality" at the viewer? He is the absolute antitype of the hot, expressive artist. His cool gaze settles on everything with equal curiosity: he is as interested in the way a formidable old nun grips her crucifix -- like a weapon -- as in the way the left hand of his monarch Philip IV rests, lightly but not quite negligently, on the hilt of his sword. There is nothing he cannot draw, though no drawings by Velazquez survive. That, however, is part of his fascination to eyes conditioned by the spontaneity of painting since Manet, for now that Velazquez's paint...

Author: /time Magazine | Title: Art: Velazquez's Binding Ethic | 10/9/1989 | See Source »

Velazquez's portraits of Philip IV are the most remarkable biography of a monarch in all art, spanning his life from the confidence of youth to the melancholy and distance of his afflicted age. The face thickens, the eyes sag, the Bourbon lip takes on a heavy repressed pathos; you can almost see it quiver. Only the mustache, whose upswept prongs will be imitated by Salvador Dali's, seems alert, like antennae. "It is now nine years since any ((portrait)) has been made," Philip IV noted in 1653, in the last decade of his and his painter's lives...

Author: /time Magazine | Title: Art: Velazquez's Binding Ethic | 10/9/1989 | See Source »

...psychological symbol of better times. Last week, after the leaders held two days of talks in the Indonesian capital of Jakarta, Sihanouk indicated for the first time that he was prepared to return home as head of state without his partner in opposition, the Khmer Rouge. But the former monarch laid on a host of ifs and buts to his offer that leave his return in doubt...

Author: /time Magazine | Title: Cambodia Better Times for a Ravaged Land | 5/15/1989 | See Source »

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