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Screenplay by PAUL MONASH...

Author: /time Magazine | Title: Cinema: Friends of Friends | 7/2/1973 | See Source »

Coyle could easily have been played as a simple victim, a soft spot at the heart of this picture. But supplied with hard blue language by Writer Monash, and played by Mitchum as a man trying to walk-not run-to the nearest exit, he is an infinitely more appealing figure. Coyle is still hard enough to intimidate a reckless apprentice punk, canny enough to fight a good delaying action against the cop who keeps pressing for more and more information and strangely trusting of an old friend who is a much more clever ex-stoolie (and who finally undoes...

Author: /time Magazine | Title: Cinema: Friends of Friends | 7/2/1973 | See Source »

...oldest find was made by Norman Wakefield, 53, who, like Jensen, is also a tall (6 ft. 2 in.), rangy digger. On holidays from his post as head of the biology department at the teachers' college of Melbourne's Monash University, he likes nothing better than to clamber over the rocks of Australia's bush country. Last September, while exploring a rock-rimmed stream in eastern Victoria, he discovered, preserved in the rock, several small imprints of an ancient four-legged creature with webbed five-toed hind feet and possibly three-toed front feet. Geological dating showed...

Author: /time Magazine | Title: Science: Two Superlatives | 8/21/1972 | See Source »

...back to one episode weekly, and by next fall, unless the ratings improve dramatically, it will go off the air for good. The problem is how to find a happy-or even any-ending for all the tangled people and plots of Peyton Place. Executive Producer Paul Monash admits that it will be impossible to "tie up all the story threads. The solution has been proposed to have the Miles family [Negroes, newly arrived] burn down the town...

Author: /time Magazine | Title: Programs: Burn Down Peyton Place? | 12/20/1968 | See Source »

Unfortunately, few of the roles for Negroes that are being so hurriedly written into next fall's shows will have any individuality or credibility. Executive Producer Paul Monash, who next month will bring the first Negro family onto Peyton Place, says: "All the Negroes I've seen on TV are colorless-absolutely devoid of character, humor or idiom. They are prideless Negroes, castrated men and desexed females. These people are really gilded Rochesters...

Author: /time Magazine | Title: Programming: Black on the Channels | 5/24/1968 | See Source »

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