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...exhibition also offers examples of Calder’s paintings, spurred by his visit to Piet Mondrian??s studio in 1930. The two artists must have had the primary color fixation in common: “Black and white are first – then – red is next – and then I get sort of vague. It’s really just for differentiation, but I love red so much that I almost want to paint everything red,” Calder said. The show concludes with several examples of Calder?...

Author: By Lee ann W. Custer | Title: Thinking in Wire | 7/31/2009 | See Source »

...state-of-the-art institution, the Straus Center’s conservation efforts have reached beyond this campus’ grounds. Along with pieces of art from Harvard’s own collection, the Straus Center has worked on preserving seventeen paintings from Piet Mondrian??s Transatlantic series, an altarpiece created by Bartholomäus Bruyn during the 15th century brought in from Germany, and the enormous wall murals that decorate the Boston Public Library by John Singer Sargeant. Lie claims that the conservation of the Sargeant murals has been one of Center’s most exciting...

Author: By Andres A. Arguello, CRIMSON STAFF WRITER | Title: Keeping Up Appearances | 3/20/2009 | See Source »

...offer deep analysis and interpretation of the work itself. In the show’s first gallery, four works that one may never have imagined would occupy the same wall combine to produce a progression in three-dimensionality. The horizontal and vertical black lines that run across Mondrian??s “Composition with Blue, Black, Yellow, and Red” clearly emphasize the geometric, flat nature of the piece. To its right, El Lissitzky’s “Proun 12E” continues in the vein of Mondrian??s geometric shapes...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Harvard Art Up for "Re-View" | 9/18/2008 | See Source »

...York City’s dynamic culture reinvigorated an aging Mondrian. The “boogie woogie” jazz music of the era invaded Mondrian??s canvas, as he wished to add more vibrancy to his works. A display of the scientific studies aid in the process of his revision to the works and a computer kiosk station helps animate the changes...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Mondrian at the Fogg | 5/4/2001 | See Source »

...paintings are all exhibited in one room, creating a dialogue between Mondrian??s manipulation of space and color. The intuitive perception of harmony and balance changes with each painting, underscoring the careful consideration Mondrian took with each element of his creations...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Mondrian at the Fogg | 5/4/2001 | See Source »

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