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...posthumous answer to Mondrian??s critics comes in the form of the Fogg’s new curatorial masterpiece, “Mondrian: the Transatlantic Paintings.” With the academic rigor and focus on conservation expected of a university, the exhibit singlehandedly restores Mondrian??s reputation as a painter who knew how to manipulate our innate response to color and form...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Mondrian at the Fogg | 5/4/2001 | See Source »

Lines, colors, positions of shapes-—additions and subtractions run rampant throughout Mondrian??s paintings. Displayed in the exhibit are the fruits of exhaustive research, as UV photos show changes to the works. His works were in a constant state of flux...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Mondrian at the Fogg | 5/4/2001 | See Source »

With this technology, the potency of a small changes to a painting from the extension of a single black line to the creation of a lighter shade of blue reveal Mondrian??s careful consideration of every element of fhis compositions...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Mondrian at the Fogg | 5/4/2001 | See Source »

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