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...Dutch abstractionist Piet Mondrian moved to New York City in 1940 and died there four years later. He was the greatest of all the European artists who, displaced by war, settled in America and began the ferment that culminated in what Art Historian Irving Sandler, in an infelicitously imperial phrase, recently called "the triumph of American painting." Yet the results of Mondrian's sojourn have to some extent been set on a back burner...

Author: /time Magazine | Title: Art: A Disciple's Progress | 12/31/1973 | See Source »

Only a fraction of the energy that went into the study of abstract expressionism has been spent on Mondrian's small circle of U.S. disciples, such as Fritz Glarner, Ilya Bolotowsky and Burgoyne Diller. Their aloof and rigorous art could never have been a popular recipe; but allowing for that, and for the fact that they labored beneath the almost overpowering shadow of Mondrian himself, the silence about such pioneers is still remarkable. For though the public did not look closely or often at their work, later artists did; the "mondrianists" were one of the secret influences on 1960s...

Author: /time Magazine | Title: Art: A Disciple's Progress | 12/31/1973 | See Source »

...until 1937 that, as a student enjoying the first years of a prolonged love affair with New York, he glimpsed his first Mondrians in the Gallatin collection. "I haven't seen a painting since I first saw Mondrian that gave me one single idea about form, composition, anything," asserts Smith...

Author: /time Magazine | Title: Art: A Disciple's Progress | 12/31/1973 | See Source »

...Dutch master have a quirkish and decorative air, as though the fast color-blips of Broadway Boogie-Woogie had been crossed with the decorative bead patterns of American Indian folk art. But the abiding problem was how to become something other than an imitator, how to disengage himself from Mondrian's gravitational field...

Author: /time Magazine | Title: Art: A Disciple's Progress | 12/31/1973 | See Source »

...Nevada rancher who had moved on to California. Lee's father was a Jewish emigrant from Poland who owned a food store in Brooklyn. Pollock sweated out lonely struggles with himself. Krasner was more suggestible. Sometimes her work echoed Mark Tobey, other times Mondrian, most often De Kooning...

Author: /time Magazine | Title: Art: Out of the Shade | 11/19/1973 | See Source »

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