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...MONDRIAN, DE STIJL AND THEIR IMPACT - Marlborough-Gerson, 41 East 57th...

Author: /time Magazine | Title: Art: Art in New York: Apr. 10, 1964 | 4/10/1964 | See Source »

Where the Taylor house is curvy, the Arthur W. Milam house in northern Florida is all right angles. Architect Paul Rudolph, another Gropius alumnus, designed a series of concrete block rectangles that turn the house's seaside exposure into a mammoth Mondrian. It is a straight place, but not all for show; the open-end geometry that ornaments the facade functions as a sunbreak and keeps the interior cool without cumbersome draperies. The house is built on seven levels that form a series of "living platforms," the lowest being a utility room, while the uppermost is a rooftop lookout...

Author: /time Magazine | Title: Art: Add Water, Mix & Pour | 1/24/1964 | See Source »

JERRY OKIMOTO-Krasner, 1061 Madison Ave. at 80th. Okimoto has outmaneuvered Mondrian: his colorful plane geometry is also mobile. Sliding panels like cupboard doors permit a change of composition and color match; each painting comes with its own framed miniature showing suggested arrangements. Through...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

Manhattan's revamped Jewish Museum this week opens an instructive show called "Toward a New Abstraction," with 47 works by nine of these artists. At first glance, the hard-edge painters seem direct heirs of the cubists and the Bauhaus, of Josef Albers and Mondrian. Their images are bare, blocky and geometric. But where an Albers questions the viewer's retina, these new abstractionists question his emotions. No cubist painting was designed to repel the viewer, to shock him with clashing colors, to fool him. The new abstraction calmly violates logic and frustrates the beholder. The children...

Author: /time Magazine | Title: Art: Second-Generation Abstraction | 5/24/1963 | See Source »

...building, designed by Architect Ralph Rapson. looks as if Henry Moore had been doodling on it with a jigsaw. Through the holes of the outer facade peeks a structure drawn with a Mondrian ruler in a rectilinear austerity of charcoal grey, white and glass. Suspended over the stairs and lobbies are globes of light, a child's army of upside-down lollipops. The stage itself juts forward like a mammoth home plate with a blunted tip, while a rear portico of four columns supports an upper platform. Around this arena stage sweeps a C-arc of 200°. some...

Author: /time Magazine | Title: Theater: In the Land of Hiawatha | 5/17/1963 | See Source »

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