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...make the mundane suggest the divine. At first glance, the scientific exactness of his still lifes makes them look as though they were descended from the nature sketches of Albrecht Durer. But in ambition they were more akin to the work of the European abstractionist painters. Kandinsky, Malevich and Mondrian wanted not only to wipe clean the slate of Western art but to scrub consciousness itself, clearing it of worldly distractions as a way of opening it up to the beyond. Though Weston kept some distance from the California versions of Theosophy and Zen, he too regarded his still lifes...

Author: /time Magazine | Title: Photography: Peppers From Heaven | 11/24/1986 | See Source »

...local landmark to snobbery. An inordinate number of other acclaimed eateries --Spago, Trumps, Morton's, Scandia, the Ivy--also flourish. So do a fistful of opulent hotels, including Le Bel Age (a classy favorite of businessmen), the Sunset Marquis (occasional host to Bruce Springsteen and Cyndi Lauper) and Le Mondrian (boasting a $1 million rainbow paint job, nightly jazz and some of the best panoramic views in town...

Author: /time Magazine | Title: In West Hollywood: Exotic Mix | 12/16/1985 | See Source »

...Sower, helping suggest that this dark creature fecundating the soil under the citron disk of the declining sun is some kind of local deity, an agrestic harvest god. One apple tree will evoke the Japanese roots of Van Gogh's spike line; another will suggest how Piet Mondrian's apple trees (and with them, his early sense of grids and twinkling interstices) relate to Van Gogh; a third, resembling the veined canopy of a Tiffany lamp, may recall what the decorative arts of 1900 owed to the cloisonism (decorative "inlaying" of the picture surface with outlines...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

Because stars and stripes remain among its many symbols, Jerde and Suss man call their effervescent design Festive Federalism. But it is much more. It is a rich synthesis of 20th century art, from Mird's squiggles and Mondrian's Broadway Boogie-woogie to Charles Eames' playfulness and Sister Mary Corita's sense of celebration, brought together, as Jerde puts it, "to express a moment rather than memorialize an epic...

Author: /time Magazine | Title: Design: A Festive Moment, Not an Epic | 8/6/1984 | See Source »

Fort-Brescia and Spear admit to being influenced by the Russian constructivists (like Vladimir Tallin and El Lissitzky) and their predilection for making architecture a kind of artistic engineering. The team's use of bold primary shades suggests the paintings of Mondrian's De Stijl. And some of its whimsy-such as the yellow, finlike balconies that stick out of the Atlantis' glass façade to emphasize its entrance-recalls...

Author: /time Magazine | Title: Design: Jazzing Up The Functional | 7/23/1984 | See Source »

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