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...here are not high Dada. The studies of El Lissitzky, Max Ernst, Moholy Nagy, Malewich and Hannah Hoch more often reflect a kind of experimentalism which hovers tenuously in the nether regions of design, just outside the gates of one muse or another. Every so often, of course, a Mondrian or a Klee comes along who makes something of it. Then cometh the rear guard which inevitably ends up, again, indebted to the theories and left with little else...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

...compliments to young Richard Diebenkorn for having had the courage to break with the "new academy of abstraction." I am getting bored by the still-growing multitude of poor imitators of the 40-year-old experiments by Kandinsky, Klee and Mondrian, who, while never reaching them, insist on calling themselves the avant-gardists of our time...

Author: /time Magazine | Title: Letters, Apr. 7, 1958 | 4/7/1958 | See Source »

...major movements which since about 1910 have transformed the very concept of art." Items: Marcel Duchamp's Lonely Boy on Train, from the same period as his famed Nude Descending a Staircase; examples of the 1913 Moscow Suprematist movement by Founder Malevitch and Follower Lissitzky; key works by Mondrian, Kandinsky, Braque, Picasso and Pollock. So famous is her collection that Venice's international Biennale once gave her a pavilion all to herself. Says Peggy: "It was wonderful, I was listed with Germany and France. I felt like a whole country all by myself...

Author: /time Magazine | Title: Art: The Last Duchess | 12/16/1957 | See Source »

...most fanciful and most substantial, Braque displays his talent for being perennially so very right, and Rouault, as usual, exhibits as much profundity in a landscape as in a crucifixion. It is good to see less exhibited figures such as Villon and Masson included, though Miro, Leger, Mondrian and the sculptor Lipschitz receive perhaps less than their...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

Coming so soon after the Picasso job, your article on Mondrian flashlights the difference between profoundly creative art and the foxy razzle-dazzle of the greatest magician since the death of vaudeville...

Author: /time Magazine | Title: Letters, Jul. 15, 1957 | 7/15/1957 | See Source »

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