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...with deeper remarks about the world. “I’ve chosen,” O’Reilly says, “to move beyond the cerebral and look at the beautiful.” He cites as his artistic influences Vermeer, de Hooch, Clasez and Monet. And indeed, his photographs recall both the poignant and dignified simplicity of Flemish still lives and the French Impressionists’ emphasis on the qualitative and sensory experience of objects...

Author: By D. ROBERT Okada, CONTRIBUTING WRITER | Title: MetaArt: Constructing Self-Criticism | 2/15/2002 | See Source »

...accused of market games, for chances are that an interactive guitar show or a glimpse into our forebearers living room will bring more dollars and people to the museum than a huge exhibition of Greek amphora vases. The trend at the MFA has been to make art approachable. The Monet blockbuster in 2000 did not represent a challenge for aesthetic appreciation, as one doesn’t need to understand color theory to appreciate rainbow-colored water lilies...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Folk Implosion | 4/13/2001 | See Source »

There were a few exceptions to this honor roll of stupidity, mainly other painters. Impressionists such as Claude Monet, younger than he, saw Manet as their hero and leader--although he never exhibited with their group. Charles Baudelaire was his friend; Emile Zola famously defended him in 1866 and partially based the implausible chief character of his novel L'Oeuvre (The Masterpiece) on Manet--though, less famously, he changed his mind after Manet's death and called him "not a very great painter...an incomplete talent...

Author: /time Magazine | Title: Art: Still Fresh As Ever | 3/26/2001 | See Source »

relations coordinator. "Monet in the 20th century brought more people here than any exhibit around the world last year." Strauss says...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Harvard's Museums Prosper While Boston's Slump | 2/15/2001 | See Source »

...Strauss admits the MFA's attendance drop is probably the result of a comparison with the unnaturally high attendance at the Monet exhibit...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Harvard's Museums Prosper While Boston's Slump | 2/15/2001 | See Source »

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