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...Annenberg, 74, spent 5½ years as Ambassador to the Court of St. James's. Sunnylands is a modernist San Simeon on 208 acres. Built in 1964 at a cost of $5 million, the mansion alone covers nearly an acre. Inside is a major collection of impressionist (Renoir, Monet) and postimpressionist (Gauguin, Van Gogh) paintings...

Author: /time Magazine | Title: The Queen Makes A Royal Splash | 3/14/1983 | See Source »

Avery was not good at maintaining a suavely impasted surface, though sometimes he could bring one off with real subtlety the bursting fan of foam over the rocks in White Wave, 1954, is like a Monet haystack made of water, not grass. But the major Averys, like Sea and Sand Dunes, 1955, or Speedboat's Wake, 1959, are thin, taut, nearly as evanescent looking as weather itself. Their pictorial construction is achieved almost entirely through color: the weight of a red, the brooding distension of a purplish sea against a blue headland. Nothing is subordinate in such paintings...

Author: /time Magazine | Title: Art: Milton Avery's Rich Fabric of Color | 9/27/1982 | See Source »

...race and White's portrait of triumphant John Kennedy as the most prescient, commanding politician he had encountered. Early in his final work, White does mouth some of the same hero-worship, saying that JFK alone might qualify as "a rare personality--a Roosevelt, a Churchill, a Mao, a Monet--[who] might alter the direction of the forces, and make his own life a legend, a starting point of future departures...

Author: By Paul A. Engelmayer, | Title: A Jaded Journeyman | 7/13/1982 | See Source »

...talent as an artist. On the evidence of this show, he was far and away the most gifted painter of his generation in prewar Munich. Even his student drawings of the nude have a wiry and controlled strength in their ink-brushed line. Others might, and did, imitate Monet, or Beardsley, or Seurat, or the bright, flat patterns of "primitive" Austrian folk art; only Kandinsky could bring such diverse strands successfully together in the mysterious speckling and blooming of color over flat decorative shapes that lit up a painting like Riding Couple...

Author: /time Magazine | Title: Art: Preparing for Abstraction | 2/15/1982 | See Source »

...violent expressionist. As William Rubin suggests in the catalogue to this show, his musical counterpart is not the romantic and moody Bartók: it is the interlaced, twinkling and silky surface of Debussy. No wonder that it took an enthusiasm for Pollock to provoke the re-evaluation of Monet's Water Lilies among Americans, back...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

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