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...gestural paintings established him, from 1951 onward, as one of the leading Abstract Expressionists. His current show at Manhattan's Marlborough Gallery is indeed a change. The old Guston is barely recognizable. The patches and drifts of color, tentatively knitted rather than brushed-like magnified details of a Monet seen through gray glass-have gone...

Author: /time Magazine | Title: Art: Ku Klux Komix | 11/9/1970 | See Source »

...range of works, from Giotto through the Impressionists to Morris Louis, the exhibit could have spoken about the artists' use of light or of plastic form. El Greco's eerie lighting in View of Toledo compared to Tiepolo's ethereal scene of St. Thecla Praying or compared to Monet's Rouen Cathedral could have emphasized the different handlings of light. A trio of Sassetta (the be-beginnings of perspective), Cezanne his constructive view of nature), and Joseph Stella's Coney Island (an engineering of color) could have stated a development in the ordering of nature or of form...

Author: By Meredith A. Palmer, | Title: Masterpieces from the Metropolitan Museum | 10/15/1970 | See Source »

...highlights of the Newark show is Monet's relatively unknown Cabane de Douanier à Pourville, painted in 1882. Faithful to his impressionistic concern with light and color, Monet soaks the scene in sunlight. The Mediterranean, glimpsed from a hill, is cool and inviting, spreading out before the eye in a blaze of blue. Except for a few puffs of cloud, the sky is empty. Monet used only bright colors in this painting-reds, blues, greens and yellows -and he painted thin. The effect is purposely misleading; the viewer suspects that underneath the pigment lies not canvas, but porcelain...

Author: /time Magazine | Title: Art: The Elusive Ocean | 8/24/1970 | See Source »

What happens after that is known only to the dealer and his client. But many a famous collector has left Salz's town house poorer by tens of thousands of dollars but richer by a prime Degas, Vuillard, Corot or Monet. As a young man in Paris in the early years of this century, Salz was a painter him self. "Not a great painter like these," he says, waving a hand toward the Segonzacs, Vlamincks and Van Dongens that line his walls. "But I was a friend of all the 20th century artists." The works of these friends were...

Author: /time Magazine | Title: Art: By Appointment Only | 8/3/1970 | See Source »

...minor Matisse, Fete des Fleurs a Nice, more than doubled the artist's record price of $106,152, set only a year ago. For Impressionists, the trade's present rule of thumb is that what $1 would buy in 1893 would cost $1,000 today. Monet, anyone...

Author: /time Magazine | Title: Art: Excelsior! | 3/9/1970 | See Source »

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